The best Walter Brennan’s music movies

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

The future is bleak for a troubled boy from a broken home in the slums. He runs away when his step father breaks his violin, ending up sleeping in the basement of a music school for poor children.

The Bower Family Band petitions the Democratic National Committee to sing a Grover Cleveland rally song at the 1888 convention, but decide instead to move to the Dakota territory on the urging of a suitor to their eldest daughter. There, Grampa Bower causes trouble with his pro-Cleveland ideas, as Dakota residents are overwhelmingly Republican, and hope to get the territory admitted as two states (North and South Dakota) rather than one in order to send four Republican senators to Washington. Cleveland opposed this plan, refusing to refer to Congress the plan to organize the Dakotas this way. When Cleveland wins the popular vote, but Harrison the presidency due to the electoral college votes, the Dakotans (particularly the feuding young couple) resolve to live together in peace, and Cleveland grants statehood to the two Dakotas before he leaves office (along with two Democrat-voting states, evening the gains for both parties).

Comedy western about a cowboy who is hired by a stagecoach boss to stop the railroad reaching his territory and putting him out of business. He uses everything from Indians to dance hall girls to try to thwart the plan. But the railroad workers, led by a female sharpshooter and an ambitious salesman, prove tough customers. Featuring a brief early appearance by Marilyn Monroe.

Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin and Kitty Donnelly in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.

In 1911, minor stage comic, Vernon Castle meets the stage-struck Irene Foote. A few misadventures later, they marry and then abandon comedy to attempt a dancing career together. While they're performing in Paris, an agent sees them rehearse and starts them on their brilliant career as the world's foremost ballroom dancers. However, at the height of their fame, World War I begins.

Child star Jane Withers along with fellow kiddie favorites like Carl 'Alfalfa' Switzer and Jackie Searl (who gives Jane her first on screen kiss!) team up with character greats like Walter Brennan and Lon Chaney Jr. to help their hometown celebrate its golden anniversary. Not unexpectedly, things go astray when a bank robber hopes to cash in on the excitement, but fortunately his plans are thwarted by the towns newly elected sheriff (Brennan)...who's a reformed crook himself!

Ginger and Dixie are process servers for goofy lawyer Homer Bronson. The two friends want to quit, but they're offered a thousand dollars to serve four subpoenas in a breach of promise suit against rich C. Richard Courtney. Little does Ginger realize, C. Richard Courtney and her mysterious park bench boyfriend 'Carter' are one and the same.