The best Waise Lee’s drama movies

Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.

A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.

A suspected criminal mastermind escapes from police custody, throwing the city into turmoil. With the police department now divided, rival police chiefs are forced to take their fight to the streets of Hong Kong with deadly consequences.

Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.

When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.

Da Hua, Ah Chun and a few others find themselves involved in wild and dangerous adventures when they get caught in a showdown between the China Mainland Police and Hong Kong bandits.

Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s.

An undercover agent is assigned by his corrupt chief to infiltrate a rival department and sabotage their investigation of counterfeit currency. What he discovers is the counterfeiter's real plan. To overthrow the capital. Not by flooding it with funny money, but with an army of undead.

The story revolves around three members of a police surveillance squad conducting an investigation into a financial investment group involved in criminal fraud. The focus of the plot, however, is actually on the three officers themselves who stumble upon an opportunity to capitalize on information they gathered during their surveillance.

When social unrest plagues a Kingdom in ancient China, the Imperial Court collects stockpiles of gold from local governments to expand the royal army. However, the gold is robbed while in transport. In a desperate move to retrieve the stolen treasure, elite royal guards are sent on a mission to go after the gold but soon find out they are not the only ones in pursuit of it.

The story of Ho, a chinese peasant/slave worker who escapes to Hong Kong and becomes one of the most feared crime bosses in Hong Kong.

"Girls Without a Future" - About five escort girls in misery. Hung is getting to old for the job. Her daughter Ling follow in her footsteps. Wah is Hung's foster daughter. A hot tempered dancer at a night club. Eva is the glamorous top model escort.

Shanghai is now in the 1920s. Pop's troupe of all female leads is struggling. Pop calls on Tsui to join him in the hope of her fighting sequences will pull the troupe out from imminent close-down. This enrages the actresses who are already quarreling among themselves. However, they come together with godfather Chang, who has favour to one of them. Young Lu and his friends are new generation of underworld toughs. They resist Chang's invasion because Chang deals in narcotics...

Movie is set during a period of time when Japanese invaded China. The story is told from Gao's perspective, a soldier seeking revenge from the Japanese in trying to assassinate the visiting Japanese chief in command. In the process of plotting such scheme, he had a chance encounter with a local Mafia, lead by its charismatic leader Fang. Fang had a bandit of followers, of which one is Fang's sister. Fang in the past have rescued many of these followers using his own blood and as a result all the members in the bandit formed a life long bond and friendship. When Gao realizes he could use the firearms and man power of Fang's bandit, he sets up a scheme to get captured by Fang on purpose. When Fang found out - he was extremely angry and upset and almost killed Gao, but Gao is saved by Fang's sister because she clearly developed feelings for Gao after seeing how he fared during the interrogation phases when he was in Fang's capture.

Tensions arise when Jack Chan, a spineless constable who regards his work as a job but not a career, is partnered with an energetic and conscientious policewoman, Man Liu. When a serial killer emerges in Hong Kong, Man Liu swears to catch him. Jack is impressed by her bravery and decides to secretly protect her.

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

Rival Chinese military strategists Sun Bin (Sun Honglei) and Pang Juan (Francis Ng) clash in this historic war adventure set during the Era of Warring States.