The best Wade Boteler’s music movies

The heartbreaking but hopeful tale of Danny Kenny and Peggy Nash, two sweethearts who meet and struggle through their impoverished lives in New York City. When Peggy, hoping for something better in life for both of them, breaks off her engagement to Danny, he sets out to be a championship boxer, while she becomes a dancer paired with a sleazy partner. Will tragedy reunite the former lovers?

Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.

In this light and lovely romantic musical, a Hungarian woman attends a Viennese fair and buys a card from a gypsy fortune teller. It says that she will meet someone important and is destined for a happy marriage. Afterward she gets a job as a baker's assistant. She then meets a handsome army drummer who secretly dreams of becoming a famous composer and conductor. Unfortunately the military forbids the young corporal to create his own music. But then Ilonka secretly sends one of the drummer's waltzes to the Austrian Emperor with his weekly order of pastries. Her act paves the way toward the tuneful and joyous fulfillment of the gypsy's prediction.

A businessman's (Charles Winninger) youngest daughter (Deanna Durbin) helps her innocent sisters in love.

An aging star finally recognizes the truth when she is replaced in her new movie by a girl from the chorus.

A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

A college professor and the school's star football player are both rivals for the same beautiful coed.

The future is bleak for a troubled boy from a broken home in the slums. He runs away when his step father breaks his violin, ending up sleeping in the basement of a music school for poor children.

Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Max Mindel, the house manager, has a yen for Marjorie and, discovering that she is in love with Al, gives the band notice and hires harmony singers Barney & Bey as a replacement. Marjorie makes up to both men and soon breaks up the team. Al learns of her scheme, however, and makes her confess to the singers. Barney and Bey make up, and Max gives Al and his band one more chance. Al is a sensation, and Max offers him a contract for $1,000 a week.

Gene Autry and sidekick Frog Millhouse depart Madison Square Garden and NYC heading west for home in their car and a horse trailer carrying Gene's horse, Champion. They discover that Ronnie Willoughby, a young boy just off the boat from school in England, has hitched a ride, thinking that Gene and Frog were sent by his father to meet him. Ronnie thinks his father is a big rancher in the west and doesn't know that his father, Alfred Willoughby, is serving time in San Quentin prison because of a frame-up by the officials of a packing company. To keep the father from testifying against them, the packing company officials, Carter, Jenkins and Martin, have arranged for the boy to be kidnapped. Along the way a runaway bride, Joyce Halloway, and her young sister Patsy join the troupe.

Mary and Larry are are a modestly successful skating team. Shortly after their marriage, Mary gets a picture contract, while Larry is sitting at home, out of work.

After Pat Garrett kills Billy the Kid, Billy's look-alike Roy Rogers arrives and is mistaken for him. Although a murderer, Billy was on the side of the homesteaders against the large ranchers. As Billy's death is unknown, Roy gets Garrett to let him pose as Billy to continue the fight, but without the killing.

Orphan prodigy singer runs away from her oppressive aunt and tricks a rural couple into adopting her.

In this musical comedy, a motley band of musicians have only their extreme poverty in common. They end up writing a hit and getting a recording contract. The trouble is, the composer's works are never played without another band member doctoring them up to make them swingier. Fortunately, the composer isn't too averse to the changes as he has just won the heart of the beauty who sings his revamped songs. Songs include: "Where Did You Get That Girl?" (Harry Puck, Bert Kalmar, sung by Helen Parrish), "Sergeant Swing," "Rug-Cuttin' Romeo" (Milton Rosen, Everett Carter).

Sad-eyed, uniquely talented child actress Edith Fellows was Columbia's "answer" to Shirley Temple, Jane Withers and Deanna Durbin. In Little Miss Roughneck, Fellows is cast as Foxine LaRue, a tomboyish sort who is being prodded into a show-biz career by her stage mother Gert (Margaret Irving). Young Mr. Partridge (Scott Colton) becomes Foxine's agent, principally because he's sweet on the girl's older sister Mary (Jacqueline Wells). Blackballed from Hollywood because of her mother's pushiness, Foxine tries to help out Partridge and her own family by cooking up a bizarre publicity stunt, enlisting the aid of easy-going Mexican "papacita" Pascual (Leo Carrillo).

John is a timid student who works at the University Book Store. He is studying to be a botanist and has a secret crush on the lovely Julia. One day, one of his letters gets accidentally mailed and Julia receives it. When the letter says that he is a fraternity man and a big track star, Julia rushes right over to see him. But John is neither and Spike, Julia's boyfriend, is a track star at a nearby College. John does not want to enter the track meet so Julia tries to use psychology on him. That and a good wrestling hold makes John timidly agree to enter the race, but Spike still scares him.