The best W. Chrystie Miller’s western movies

Ramona, a young girl growing up on her adoptive mother's rancho in California, falls in love with the Indian lad Alessandro. When Ramona is denied permission to marry Alessandro, the two lovers elope, only to find a life of great hardship and unhappiness amidst the bigotry and greed of the white landowners.

In the heart of the American west, a miner toils day after day at his rocker box while his young daughter keeps his camp. His daughter persuades him to return to civilization, where they may enjoy the fruits of their labor. Both are happy in the anticipation of what seems a bright future. While she's away, a desert wanderer appears at the camp, and at the sight of the old man weighing his gold is seized with cupidity. He himself had toiled long in the wilds, but with no success, so he demands that the old man divide his gains with him. This, of course, the miner decries, and the wanderer uses force to obtain the old man's gold. The wanderer collapses in the desert, only to be rescued by a certain young woman: the miner's daughter.

A Mexican is thrown out of a bar by a young prospector and swears to get even. Later he kidnaps the prospector's wife. In the meantime a group of drunkards shoot and kill an old Indian man. His son (Robert Harron) vows revenge and asks the tribal chief for help. The chief, however, knows better and tells him that revenge is useless. Robert Harron disobeys and mobilizes all young warriors for battle. The plot thickens. The prospector and the Mexican, who holds his wife captive, start shooting each other. However, when the Indians attack, these two make a temporary truce and join forces against the common enemy.