The best Władysław Kowalski’s movies
Today we present the best Władysław Kowalski’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Władysław Kowalski’s movies.
The Double Life of Véronique
7.7/10
Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.
Katyn
7/10
On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.
Avalon
6.4/10
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?
Love at Twenty
7.2/10
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Gods
7.6/10
Set in communist Poland of the 80s the movie depicts early career of cardio surgeon Zbigniew Religa.
Body
6.4/10
A busy attorney, worried that his anorexic daughter Olga might try to harm herself, since she's still grieving over her recently deceased mother, sends her to see a psychiatrist, Anna, who's dealing with her own loss in an unusual way.
Little Rose
7/10
Pressured by his superiors to disgrace public intellectual Warczewski, a professor and respected writer whom they believe to be a "camouflaged Zionist," rough security-services colonel Rozek enlists his sexy but naive girlfriend, Kamila, to insinuate herself into the distinguished older man's life and report on his every move. Not particularly interested in serving communism but eager to please her domineering lover, Kamila accepts the mission, reporting under the code name "Little Rose." As quick scenes contrast Kamila's crude pleasures with Rozek and her more refined experiences with Warczewski, it becomes clear that the more time the unschooled young woman spends with the professor, the more she comes to have true feelings for him.
Pan Tadeusz
6.1/10
A grand and patriotic tale of Poland's struggle for freedom just before Napoleon's war with Russia. Written in poetic style by Adam Mickiewicz, this story follows two feuding Polish families as they overcome their old conflicts and petty lives. However, they are able to unite as one with their patriotic and rebellious efforts to free the country they deeply love from Russian control.
Decalogue VII
7.8/10
As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.
Shivers
6.9/10
A boy comes of age under an oppressive, cruel socialist government and watches as it slowly but surely distorts his family, his school and even his own thoughts.
Poznań 56
6.1/10
Medium
6.4/10
Story of four people in Sopot in 1933, mysteriously brought together to an old villa to reenact a murder that took place 36 years earlier
Samson
6.3/10
Sampson is one of several Andrzej Wajda films harking back to his youth during the Nazi Occupation of Poland. Many of these concern not only the struggle between good and evil, but also between passive and impassive. The hero is a Jewish youth. He, like his family, has always been silent and undemonstrative in the face of prejudice. Now he stands up for his right to survive, and in so doing represents the fighting spirit that culminated in the 1943 Warsaw Uprising. It was originally titled Samson, but re-spelled as Sampson upon its American release to avoid confusion with a sword-and-sandal epic of the same name.
Hospital of the Transfiguration
7.2/10
The film is set toward the beginning of World War II, at a psychiatric hospital in the country. But this is an unusual hospital: there are several incurable schizophrenic cases, staff is bit strange and a writer has voluntarily entered the clinic because he is "peculiar" and a drug addict. Then, the occupying forces arrive...
The Planet 'Tailor'
7.6/10
In the 50's a tailor drinking with his friends has an attack that requires an emegency treatment in the hospital. He has damaged kidneys. Given a second lease on life the tailor thinks that while in a coma he has communicated with the distant stars. He gives up tailoring and turns to the stars. He engages his friends in a village to build an observatory. He becomes recognized and for a time being even the authorities back him up. But then comes bitter awakening: his wife can't take his obsessions anymore and leaves him. The town council calls upon him to close his work as the first Sputnik goes into space. Then he is invited to an astronomical convention, He becomes the sensation of the conference, not however, as a amateur astronomer, but by guessing the clothing measurements of the delegates. Back home he realizes that his dream may be over, but he cannot help gazing at the sky. Written by Polish Cinema Database
Damaged
5.3/10
Rainer Dulsky, a professor of psychiatry from Switzerland, comes to Melania, the granddaughter of Mrs. Dulska. He feels he’s got something in common with the tenement house in which the Dulski family live... Melania, a film director, intrigued by her family history joins Rainer in his research. Their discoveries will take them back to the past full of secrets that were meant to stay hidden forever. The Dulski family have much on their conscience...
Escape from the 'Liberty' Cinema
7.1/10
The film is set just before Poland's communist regime came to an end, and the central character is a provincial censor (Janusz Gajos), a tired, sloppy, lonely man, whose wife has long since left him. For him, censorship is both an art and a game, but he does not enjoy it. During a screening of a sentimental Polish melodrama called "Daybreak" at the Liberty cinema across the road from the censor's office, the actors start to rebel and refuse to speak their lines. There is anarchy and when the censor is unable to control the situation, senior party officials are called in. Eventually a film critic notes that the situation reminds of "The Purple Rose of Cairo" by Woody Allen and brings a reel of the film to demonstrate. The officials watch the film with amusement until another mix-up occurs: the second projector is turned on accidentally and superimposes "Daybreak" over "Purple Rose".
Les Milles
6.4/10
In the beginning of the Second World War, Germans, Austrians and persons without nationality living in France are sent to the concentration camp of Les Milles by France government. Commander Charles Perrochon is the responsible for this camp and he promises to the leaders of the prisoners to protect them from the Nazis. When France is invaded by the Germans, Commander Perronchon will disobey orders and his superiors trying to save these men. He gets a train, a ship and money from USA to send about eight hundred of these prisoners to the safety of Casablanca, in Marrocos.
Mystification
5.4/10
Lazowski, an expelled university student, investigates the supposed suicide of the famous artist Witkacy and tries to prove that the artist is in fact still alive.
The Bait
4.4/10
