The best Vivi Gioi’s movies
Today we present the best Vivi Gioi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Vivi Gioi’s movies.
Rice Girl
6.3/10
The 19-year-old Elena, who is as pretty as she is bright, works as a rice girl for the landlord Guerrini. Having become aware of her name, he finds out that she is his illegitimate daughter of whom he knew nothing. He tries to secretly help Elena, who has fallen in love with the car mechanic Gianni. But that only creates mistrust. When Guerrini's worthless nephew harasses the girl, the situation is dramatically worse.
Red Roses
5.9/10
A comedy of errors about marriage and infidelity. Vittorio De Sica's debut film.
Bengasi
6.9/10
The film is set in 1941 during the Second World War, when the city of Benghazi in Italian-ruled Libya was occupied by British forces. Italian inhabitants of Benghazi work to resist the British and discover their military plans. One man, Captain Enrico Berti, appears to be collaborating with the British but is in fact working undercover for Italian intelligence. The film ends with the city being recaptured by Italian troops and their Nazi German allies.
The Verona Trial
6.7/10
This film is the moving story of Edda Ciano, the daughter of Italian dictator Mussolini, who was unable to prevent the atrocious assassination of her husband by fanatics of her father.
Primo amore
An Italian emigrant, who found fame and success in America, comes back to his hometown after over twenty years.
Tragic Hunt
7/10
Set amongst the Italian peasantry of WW2, Caccia Tragica (Tragic Chase) is set in motion when a truck loaded with money targetted for farming projects is stolen by bandits. The local villagers set aside their petty political and personal differences, banding together to capture the outlaws and recover the loot. The story takes a romantic detour by concentrating on the romance between two young people caught in the middle between the pursuers and the pursued. At the time of its release, Caccia Tragica was perceived as a Communist tract (it was produced by the left-leaning National Association of Italian Partisans). This didn't prevent the film from winning an award at the 1947 Venice Film Festival, quite a coup for first-time director Giueseppe De Santis.
Service de nuit
5.8/10
A devoted switchboard operator is the village guardian angel.
The Earth Cries Out
6.6/10
Two Jews and their former British comrade land on opposite sides of the Palestine issue following World War II.
Dopo divorzieremo
6.2/10
Grace Peterson works in department stores "Tutto per Tutti", along with many other young people. His employment contract entitling them to live in a boarding house built specifically for them by the company but on the other hand, forbid them not fall in love or marry under threat of dismissal. Still, Grace falls for Phil Golder, a violinist penniless. The director of the residence will notice and the best friend of the girl impersonate violinist girlfriend to try to save Grace dismissal.
The Silk Worm
6/10
Smeralda Amadier, a retired singer, lives in an isolated villa with her secretary Marcella and her lover Didier (but throws out the latter after catching him with another woman). Smeralda has huge debts and when creditors threaten her with bankruptcy she decides to sell her valuable jewels. That evening, she meets Costas, a handsome young man who seduces her. Next morning, there is no sign of him or the jewels. He was apparently a penniless gigolo, but who was his secret partner in the theft?
But It's Nothing Serious
6.8/10
Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.
La casa senza tempo
Mister Max
7/10
Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is. Happy ending comes when De Sica marries Noris, who is more real than the pampered society belles he has been partying with.
La portatrice di pane
5.2/10
France, 1860. A young widow is wrongly accused of murder and, after serving many years in prison, she escapes to find the real culprit.
Women Without Names
6.5/10
Women Without Names (Italian:Donne senza nome) is 1950 Italian drama film directed by Géza von Radványi and starring Simone Simon, Vivi Gioi and Françoise Rosay.[1] It is set in a displaced persons camp after the Second World War. It was made at Cinecittà in Rome.
L'attore scomparso
Kill the Wickeds!
6/10
A robber decides to hide his loot in a ghost town, helped by his girlfriend and his one remaining man. Keeping it though may be a problem, with the lone inhabitant, an old lady, a mysterious stranger, a recent widow and a former gang member all more or less plotting against the bandits.
Harlem
5.3/10
This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.
Cortocircuito
Early giallo directed by Giacomo Gentilomo.
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