The best Victoria Guerra’s movies
Today we present the best Victoria Guerra’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Victoria Guerra’s movies.
The Wilde Wedding
5.2/10
After a whirlwind courtship, retired movie star Eve Wilde prepares to marry her fourth husband, the renowned English writer Harold Alcott. Sparks soon begin to fly when Eve's first ex and other guests arrive at her estate for a weekend get-together.
Lines of Wellington
6/10
Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.
Cosmos
5.7/10
Two young men seek the solitude of the country; their peace is disturbed when a set of random occurrences suggest to their susceptible minds a pattern with sinister meanings.
Variações: Guardian Angel
7.1/10
Film biography dwelling on the hectic artistic life of António Variações, a famous Portuguese pop rock singer from the 80s, who died from AIDS-related complications in 1984.
Never Ever
4.8/10
Laura is living on a lonely coast, in a rambling rented house, where she encounters a strange, ageless man, a man with uncanny knowledge of her own life. Together they begin a journey into the wilderness of time, love and human perception.
Catarina and the others
5.1/10
Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.
Real Playing Game
4.3/10
In a future not too far away, Steve Battier, an elderly, terminally ill multi-millionaire, accepts the offer of a company - RPG - that in exchange for a high monetary sum, provides a very select group of clientèle the chance to be young again. For 10 hours, 10 millionaires from around the world, men and women of fame and power, are transferred to attractive and healthy younger bodies, to live in a world of temporary rejuvenation, in a game of real thrills, where every hour someone must die.
Casanova Variations
5.9/10
Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death.
The Black Book of Father Dinis
5.3/10
The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.
The Domain
6.8/10
The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.
The Year of the Death of Ricardo Reis
6.1/10
Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.
The Nothingness Club
6.3/10
Film inspired by the heteronyms of Fernando Pessoa.
Apparition
5.5/10
A writer becomes the main character in the story he intended to write
Video Surveillance
7.8/10
Álvaro and Jaime, two childhood friends in their twenties, share a particularly critical view of the functioning of society in all its dimensions. Spending much of the day as a video club clerk in order to get some financial income and get around the difficulty they feel in entering into the game of professional careers and status - a refusal that is a personal commitment for them - the two main characters they are plotting a suburb diary. While they understand the nonsense of the existence of a videoclub, at a time when the proliferation of the Internet facilitates access to the contents available there, the two main characters engage in a parallel business selling the herb, using the establishment like facade. The process passes without the knowledge of the owner of the video club, an individual at the end of middle age with a total disinterest for cinema.
Impossible Love
6.1/10
Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.
Refrigerantes e Canções de Amor
6.1/10
A love story between a failed musician and a girl in a dinosaur costume.
As Linhas de Torres
7.1/10
In the autumn of 1810, the French forces of Marshal Masséna are invading Portugal and are temporarily halted by the Anglo-Portuguese army under Viscount Wellington at the Battle of Bussaco. As a bitter winter approaches, Wellington withdraws his troops towards the fortifications he has prepared in secret at the Lines of Torres Vedras. Using a scorched earth defence, he forces the inhabitants to evacuate the land in front of the Lines and destroys all supplies which could be useful to the French. The film illustrates these dramatic events by a series of vignettes which show the effects on combatants, both regular soldiers and guerrillas, and on the civilian population.
