The best Victoria Abril’s thriller movies
Victoria Abril (born Victoria Mérida Rojas; 4 July 1959) is a Spanish film actress and singer. She is best known to international audiences for her performance in the movie ¡Átame! (Tie Me Up! Tie Me Down!).
Born in Madrid, Abril became widely known in Spain in 1976 when she appeared for two years in the show Un, dos, tres... responda otra vez. Besides working in Spain, she also made films in France, where she resides, Italy, and Iceland. She has been nominated eight times for Goya Awards in the Lead Actress category and has won once. She won the Silver Bear for Best Actress at the 41st Berlin International Film Festival for her role in Amantes. Two years later, she was awarded with the Berlinale Camera at the 43rd Berlin International Film Festival.
Victoria Abril performing on stage in 2006.
She is also a singer. In 2005, she made her debut with a bossanova-jazz album called PutchEros do Brasil. She also tried to represent Spain in the Eurovision Song Contest in 1979 with "Bang-Bang-Bang", but Betty Missiego was chosen instead.
Law of Desire
7.1/10
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
Between Your Legs
6.2/10
Miranda, a sex addict, works for a radio station and is married to a cop. She signs up for therapy in order to deal with her sex addiction. Also in the group is Javier, a sex-phone junkie. The two misfits hit it off and a torid affair ensues. But things get a little complicated when Javier finds out that this phone sex trysts have been secretly taped and being distributed all over Madrid, and that his ex-wife is living with his business partner. Elsewhere, while investigating a murder case, Felix discovers Miranda's affair with Javier.
Girl with the Golden Panties
5.4/10
Luys Forest is a writer with a political past Falangist, who lives isolated in a coastal town, writing his memoirs (actually rewriting and adapting his autobiography with the times), and brooding over his failed marriage. His sister is worried about him and decides to send his daughter Mariana on how it is. Mariana comes to town and shake the world of Luys stable with free and uninhibited personality. Soon begins a game of seduction that ends up exposing the intellectual game of Luys.
The Moon in the Gutter
5.9/10
A dockworker seeking revenge on the killer of his sister finds himself the object of desire for two women.
Baton Rouge
6.1/10
Poor gigolo tries to frame his rich mature mistress, but gets tangled in his own wiles.
Swindled
6.7/10
In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then tutelage from Lefty, an aging swindler. After some years of success, they're joined by Federico, the best, a true artist. Things go well until Pilar, a woman from Federico's past, re-enters his life with a proposal to con a golden goose - a swindle that will put them all on easy street. A double-cross may be in the cards. The flashback over, can Ernesto hold his own in the present?
El placer de matar
4.9/10
Two assassins: Luis, young and impulsive and André, married teacher. Fate lets them cross their lines, evident in the same victim. From the beginning they like each other; and both become addicted to killing synchronously.
If They Tell You I Fell
5.5/10
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later
After Darkness
5/10
To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.
Walking Vengeance
5.7/10
Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana tricks her fresh-from-prison sister, Aurora, and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
L'addition
5.7/10
Too Much Heart
5.7/10
Two twin sisters fall in love for the same man.
La casa del paraíso
5.2/10
Victoria, a beautiful woman, breaks into a large house, where strage people live without ever leaving the house. There is an enigmatical man who controls the lives of these people and the visit of Victoria will unchain passions and disclose the true feelings represed into their souls.
Alone Together
5.8/10
A blind woman is the witness of a murder.
Murder in the Central Committee
5/10
The plot follows a private detective, an ex communist and former CIA agent, who travels from Barcelona to Madrid to discover the identity of the assassin of the leader of the Spanish Communist party who was stabbed during a blackout while presiding over a meeting of the party's central committee. The film is a thriller with ironic political overtones.
