The best Victor Moore’s music movies

A New Yorker hobo moves into a mansion and along the way he gathers friends to live in the house with him. Before he knows it, he is living with the actual home owners.

Lucky is tricked into missing his own wedding again and has to make $25,000 so her father allows him to marry Margaret. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky Romero.

The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.

The partners of stage-producer J. J. Hobart gamble away the money for his new show. They enlist a gold-digging chorus girl to help get it back by conning an insurance company. But they don’t count on the persistence of insurance man Rosmer Peck and his secretary Norma Perry.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

The staff of a record factory drown their sorrows at Duffy's Tavern, while the company owner faces threats of bankruptcy.

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.

A bumbling senator investigating graft in Louisiana is the target of a scheme involving a Viennese beauty.

Conceited radio announcer irritates everyone else at the station.

Jack Mason of the Coast Guard Academy meets Mary at the graduation ball and falls in love with her, though the girl's mother finds wealthy Rex Cutting a more proper choice for her daughter. On a yachting cruise arranged by Mrs. Trumbull, Jack is not invited. Meanwhile, Mary suspects Rex of picking up contraband beyond the 12-mile limit and refuses his proposal of marriage, while Betty, her impish sister, drives Skippy to distraction in the galley, where he has installed an automatic kitchen that does most of his work. Jack smuggles himself aboard but is forcibly ejected at port by a coast guard, and Mrs. Trumbull discourages his attempt to elope with Mary; but on a subsequent cruise, he hides himself in a lifeboat with two aides. When the captain stops to take on a cargo of rum, Jack and his aides take over the vessel, and a battle ensues. The yacht is wrecked on an island, and Jack proves his heroism, while Rex reveals his true colors and is identified as a fugitive bootlegger.