The best Victor Kilian’s crime movies

The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle, a rabid racist, wants no treatment from black resident Dr. Luther Brooks. When brother John dies while Luther tries to save him, Ray is certain it's murder and becomes obsessed with vengeance. But there are black racists around too, and the situation slides rapidly toward violence.

In 1867, a gang led by James "Stretch" Dawson robs a bank and flees into the desert. Out of water, the outlaws come upon a ghost town called Yellow Sky and its only residents, a hostile young woman named Mike and her grandpa. The story is a Western adaptation of William Shakespeare's "The Tempest".

Sadistic killer-for-hire Raven becomes enraged when his latest job is paid off in marked bills. Vowing to track down his double-crossing boss, nightclub executive Gates, Raven sits beside Gates' lovely new employee, Ellen, on a train out of town. Although Ellen is engaged to marry the police lieutenant who's hunting down Raven, she decides to try and set the misguided hit man straight as he hides from the cops and plots his revenge.

A gangster is unable to go straight after returning home from prison.

The heartbreaking but hopeful tale of Danny Kenny and Peggy Nash, two sweethearts who meet and struggle through their impoverished lives in New York City. When Peggy, hoping for something better in life for both of them, breaks off her engagement to Danny, he sets out to be a championship boxer, while she becomes a dancer paired with a sleazy partner. Will tragedy reunite the former lovers?

Fisherman Dutch marries cannery worker Hattie. After he is kicked out of his union and fired from his job he leaves Hattie who steals money for him and goes to jail. He gets a new job, foils a plot to dynamite the ship, and promises to wait for Hattie.

A fugitive from a chain gang becomes an oil-well firefighter and meets the man who framed him.

Fun little film about an egotistical crime writer who gets involved with the case of a notorious art thief (who is believed to be dead) while at the same time romancing a lovely young actress who's in a play that also happens to be the cover for massive jewel job. Art connoisseur and criminologist George Melville (Joel McCrea) is hired to track down art thieves, assisted by perky Claire Peyton (Jean Arthur) and goaded by Phil Bane (Thomas Mitchell), the roaring newspaper editor who has employed him. The mastermind poses as a theatrical impresario and stages a war drama, replete with loud explosions, to divert attention from his band of thieves, who are cracking safes in a bank adjacent to the theater.

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading to the older man's death due to a weak heart. Joe and Mabel go on the run as he thinks no-one would believe a nobody like him.

A manicurist witnesses a gangland murder. Realizing there was a witness to their crime, the killer tries to track her down and silence her.

A night of love, intrigue, death and blackmail leaves stage-star Elise Manning's fate at stake in a conflict with the unscrupulous Doctor Gruell. A rejected lover dies in Miss Manning's apartment, and Gurell implies that the death was murder and attempts to blackmail the actress. The climax brings the actress, her fiancé and the dead-man's wife face-to-face in an emotional denouement.