The best Victor Janson’s movies
We present our ranking of the best Victor Janson’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Victor Janson.
Münchhausen
7/10
Wanting a lavish production to mark the 25th anniversary of UFA, the German film studio, Joseph Goebbels, director of the Nazi propaganda machine, commissioned an adaptation of Baron von Münchhausen‘s “autobiographical” stories. Baron von Münchhausen (1720-97) was an eccentric figure in European history, whose tall tales about his adventures rival anything to be found in the legends of Paul Bunyan or classic figures like Odysseus. This film recounts some of the episodes from the Baron’s sensational stories, which are set in the world of the 18th century.
The Doll
7.4/10
The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.
Madame DuBarry
6.6/10
The story of Madame DuBarry, the mistress of Louis XV of France, and her loves in the time of the French revolution.
The Great Love
6.2/10
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
The Oyster Princess
7.2/10
A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.
The Woman of My Dreams
6.5/10
Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.
Prinz Sami
The Wildcat
6.9/10
A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.
I Don't Want to Be a Man
6.8/10
A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.
Carmen
5.9/10
The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.
Damals
6.3/10
The doctor, Vera Meiners, lives with her small daughter, Brigitte. Her former husband, Jan, left her after she met a former lover in a harmless meeting (Frank Douglas). Without the knowledge of the chief surgeon, Vera orders an operation to be performed and is thereafter fired. Penniless, she works in Spanish nightclubs in order to provide for herself and her child. After many years, she runs into her friend Frank again in one of these nightclubs. Frank informs her that he can make it possible for her to emigrate to South America. With the false papers of another doctor, who is a friend of hers and who is dying, she hopes to build a new career. But, instead, she ends up getting arrested. She is suspected of murdering her former friend Frank to keep her secret quiet. But then her former husband hears about the whole thing and soon the real story comes out.
Wenn abends die Heide träumt
6.5/10
The Leghorn Hat
6.7/10
Der Florentiner Hut (The Leghorn Hat), a 1939 German film directed by Wolfgang Liebeneiner
Ein Mann wie Maximilian
8/10
We Make Music
6.9/10
Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.
Peter Voss, der Millionendieb
6.6/10
Adaptation of Seeliger's novel, starting production in 1943, finished by DEFA studios after the war.
Die Sünderin
The Yellow Ticket
6.2/10
"The Yellow Ticket" (aka "The Devil's Pawn") was directed by Vicor Janson and Eugen Illes as a German project shot partially in Warsaw. A story of a Jewish girl forced to hide her identity in order to attend medical school in St. Petersburg, the movie is a melodrama of multiple oppression. Lea, as played by Negri, is at a disadvantage as a woman, an orphan and a Jew -- and yet has immense persistence and an insatiable ambition of becoming a doctor. The film includes more than one plot twist (the final one further complicating the issue of Lea's identity), but it's first and foremost a testimony to a spirit impossible to suppress.
At the Edge of the World
5.9/10
A mill situated on the border between two unnamed countries and the residents therein become pawns in a future war.
Figaros Hochzeit
6.9/10
Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.
