The best Veronica Lazăr’s movies

While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

A young man returns from Rome to his sister's satanic New York apartment house.

A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.

Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".

A young policewoman slowly goes insane while tracking down an elusive serial rapist/killer through Italy when she herself becomes a victim of the brutal man's obsession.

When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. "What do you know of Africa?," she asks, then, in anguish, shouts, "Get my husband out of jail!" The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.

A luminously beautiful biopic of the celebrated eighteenth-century Italian poet, essayist and philosopher Giacomo Leopardi, who created immortal verse whilst struggling with a debilitating illness.

An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.

The film is a biography of Giuseppe Tomasi (Bouquet), the prince of Lampedusa, who is the author of Il gattopardo, one of the most influential Italian novel of XX century and is adapted on screen by Visconti, THE LEOPARD (1963, 8/10). Directed by Roberto Andò, a native from Palermo, stars two French cinema icons Bouquet and Moreau (as the princess Licy).

Carlo is a responsible sibling who deals with his black-sheep sister Silvia in this situation comedy. When Silvia returns after many years to attend her mother's funeral, Carlo deals with the fallout caused by her many love affairs. Carlo is convinced to kidnap Silvia's child whom she left in a Hungarian children's home, but she soon abandons Carlo and the baby when she takes up with a British rock star.

The movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.

Professor Ludovico Bruschi is an elderly Communist whose desire is that of living in an orderly and socially just State. But disorder is just about to break into his life, first of all in the shape of his granddaughter Papere and then in that of Papere's mother Stella, his son's companion. The relationship between Oliviero, Bruschi's son, and Stella has come to an end perhaps because of the extreme youth of the two lovers. Now Professor Bruschi is obliged to come to terms with the gloomy, ignorant, offended Stella whose head is full of false and destructive ideals and who disturbs his way of living out daily life. The professor loses his patience and Stella leaves. He looks for her and finds her in hospital with a broken leg. The two of them begin to grow close and then, without realizing it, they come to love each other immensely. Stella's leg gets better and she goes off to look for new relationships...

A 20th-century prostitute (Dominique Sanda) arranges for her lover (Michele Placido) to wed a wealthy, dying millionairess (Isabelle Huppert) in Venice.