The best Valerie Chow’s drama movies
If you love cinema, you will share this ranking of the best Valerie Chow’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Valerie Chow.
Chungking Express
8/10
Two melancholic Hong Kong policemen fall in love: one with a mysterious underworld figure, the other with a beautiful and ethereal server at a late-night restaurant he frequents.
Lover of the Last Empress
5.6/10
The story of an innocent girl who is destined to become one of the emperor´s concubines. Initially she suffers from a loss of innocence and the intrigues of the other concubines but over the course of time she becomes less and less scrupulous and finally is impregnated by the emperor and thus becomes his wife - the empress of China. However, her "career" has corrupted her once innocent soul and so, after the emperor dies she rules the land with terror.
The Blade
7/10
A young man adopted by a renowned swordsmith, discovers that his real father was killed by a powerful bandit called Lung. Leaving to seek revenge, he runs foul of a group of vicious desert scum, losing his right arm in the process. After being nursed back to health, he eventually learns to compensate for his loss and returns to confront the man who murdered his father.
He Ain't Heavy, He's My Father
7/10
Yuen scorns his father, who he thinks is too generous and forgiving. Through a flashback/time travel gimmick, Yuen meets his parents during their joyous courtship. Yuen comes to understand and admire his dad, and reflect on his own moral defects.
Dream Killer
5.2/10
Police officer Cheng (Michael Wong) gets into a brawl with another man while he's off duty out of town. When the other man is found murdered the following day, Cheng assists the local authorities in their investigation, despite their drastically different crime-solving methods.
Prison Architect
7/10
The two protagonists – an architect and a prisoner living in parallel realities in the present time and an ambiguous distanced past, respectively – conjure up imaginations and experiences of imprisonment. In their dialogue across space and time they debate the relations between humans, the world, and freedom. They talk of visible and invisible imprisonment, existentialism as a means of self-redemption, and at the same time question the relationship of humans to the space around them. An attempt at reconciliation with the world and human nature.
