The best Valentino Picone’s movies

Giuseppe Tornatore traces three generations of a Sicilian family in in the Sicilian town of Bagheria (known as Baarìa in the local Sicilian dialect), from the 1930s to the 1980s, to tell the story of the loves, dreams and delusions of an unusual community.

Anna and Piero fighting routine of a long marriage, when Piero loses his memory, Anna reconstructs his way. For its part, the concierge Rocco and his friend Michele play in a group that emulates the Beatles and face opposition from their partners. Finally, Marcello and Paola are a divorced couple who, from time to time, pretend they are still together to avoid problems. They are victims of a relentless war of sexes.

Valentino and Salvo, unemployed and in search of fortune and recommendation, leave Palermo for Valentino’s home town, Monteforte, where they will try to survive the Italian crisis by opening some sort of hospice.

A small Sicilian town elects a new, honest major but quickly learns that playing by the rules is not as easy as it seems

Friends and aspiring actors Aldo, Giovanni, and Giacomo work dead-end jobs while focusing on their passion project: staging an adaptation of 'Cyrano de Bergerac'. However, love for the same woman will end their friendship. Three years later, Giovanni and Giacomo reunite to travel from Milan to Sicily after hearing that Aldo is dying.

6th January 1975, in an infant nursery in Palermo (Italy), for a mysterious reason, a male nurse exchanges the labels of baby number 7 and 8. Thirty-one years later Tommaso (7) and Daniele (8) meet each other by accident.

A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.

Old and forgotten, comedian Aldo is brought by his sons into a nursing home called Reuma Park where he finds his old friends and partners Giovanni and Giacomo.

This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.

Ficarra & Picone return to the scene with a new work entitled I'm These things happen and directed by Giambattista Avellino. The center is the man and the phases of its most salient life: love lost or regain, the love that makes us suffer because "the difficulty is not engaged but let ...", love of which we do not notice, "I love her, but I look around and there are hundreds of females, and I am the hunter"; the death of a relative who becomes a spectacle, because the funeral in Sicily can only be representation. But Ficarra & Picone go further, they discover that there is another kind of love, another kind of death and another rebirth. She teaches him a mysterious relative, Uncle Pino.