The best Václav Vydra’s comedy movies

Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.

Life of Czechoslovak soldiers in a military unit for the so called "politically unreliable" - the Technical auxiliary battalions, aka "the black barons". Although it might seem like a political satire and it's mostly funny, it shows the reality and the absurdity of military service under the communist regime. Based on a novel by Miloslav Svandrlik.

Tankový prapor (Tank Battalion) is a Czech comedy film. It was released in 1991. The movie represented the first privately produced movie in Czech Republic. It was a blockbuster. Today, the movie is perceived as a classic, it is the most acclaimed movie of his creator, director Vit Olmer, it starred Lukáš Vaculík, a popular star of youth movies in the main role, as well as the by-then well received comedian Miroslav Donutil.

As a mayor dreams of spreading holiday cheer with a new ski jump, the town's citizens experience wacky antics while searching for love in wild places.

To help his daughter avoid marriage to an inept prince, King Leopold claims that Lucifer himself is wooing the princess. Satanic panic ensues.

In Kamenákov, the arrival of a Romany family becomes a problem for police chief Pepa and ignites an intense soccer rivalry.

Ten years later, the people of Kamenákov are still stirring up trouble, including Pepa, who is now mayor and trying to establish a police force.

Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.