The best Uwe Preuss’s movies on YouTube
Today we present the best Uwe Preuss’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Uwe Preuss’s movies.
Phoenix
7.3/10
A disfigured concentration-camp survivor, unrecognizable after facial reconstruction surgery, searches ravaged postwar Berlin for the husband who might have betrayed her to the Nazis.
The Samurai
5.7/10
A wolf strives through the woods around an isolated German village. Jakob the young local police officer is onto him, but scents something more in the darkness. What he finds is a man, it seems, wild eyed, of wiry build, in a dress. He carries a katana, a Samurai sword. When the Samurai invites Jakob to follow him on his crusade towards the village, it becomes Jakob's mission to pursue the lunatic to end this wanton destruction. At the end of the night Jakob has experienced too much, is too far from whom he once was. Something hidden has been unleashed to meet the first rays of daylight.
Alone in Berlin
6.5/10
Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.
Combat Girls
6.7/10
Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group's ideology. But Marisa's convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group?
The Man with the Camera
War correspondent Nathan Hold is confronted with attacks on his person after his picture of a dead refugee child is published. Gone underground in the solitude of the Italian Maremma, he evades questions of morality and ethics. Nathan returns to the roots of photography and falls in love with the interior designer Ewa, a clever and pretty young woman who opens up completely new sides of life for him. The medial flood of information accusing his brother Amon of being a con artist who scammed investors floats like the Sword of Damocles above everything. On the run from the law and from bounty hunters, Amon also goes underground and hides out in their parent’s former holiday home. During the sudden reunion of the two brothers, the past and present collide and an atmosphere of suspicion, mistrust and betrayal arises.
