The best Ursula Staack’s drama movies
If you love cinema, you will share this ranking of the best Ursula Staack’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ursula Staack.
Coming Out
7/10
Philipp, a closeted teacher, is dating a female colleague to keep up appearances. One night he stumbles into a gay bar and falls for a man. Transformed by this love, he is no longer afraid to face up to who he is.
Ikarus
7.7/10
Eight-year-old Matthias dreams that he will someday become a pilot and his divorced parents will get back together. He waits yearningly for his ninth birthday because his father has told him the story of Icarus, and promised to take him on a sightseeing flight. When Matthias' father doesn't come home, he is devastated. He runs throughout the city, talks to his friend about the relationships of adults, looks for his father at his desk, and gets himself into conflict with the police. As he sits alone on the roof of a house, he comes to the conclusion that Icarus didn't plummet to the earth because he didn't listen to his father, but rather because his father had forgotten him.
P.S.
6.9/10
When he reaches age 18, Peter is released from the children's home where he grew up, but this does not mean he is truly ready for adult life.
Brandstellen
6.4/10
Bruno Kappel is an established attorney in Hamburg who, in earlier times, belonged to an anarchistic student circle. His former girlfriend Karin Kunze is still a member of this scene. Bruno, who still has left-wing beliefs, becomes her attorney. But when Karin gets into a shootout with the police, she has to go into hiding. The prosecuting attorney Baller has also been a former member of the anarchistic scene. He does not want his past to be revealed by Karin′s apprehension and prosecution. Thus, he asks Kappel to find Karin and sneak her out to a foreign country.
Mit Leib und Seele
Für die Liebe noch zu mager
6.3/10
At the textile company, everyone appreciates the work of 18-year-old Susanne, but nobody really considers her a woman—including Lutz, with whom she is in love. She sets about to make a change, but it is only when she realizes that she is being taken advantage of that a more self-confident Susanne emerges.
Meine Tochter, mein Leben
5.4/10
Ruth is an attractive, independent woman in her early 50s who has always lived for her daughter. But Lea, now in her mid-20s, is starting to break away from her dominant mother. In this difficult and conflicting time between mother and daughter, Lea suddenly falls ill with multiple sclerosis. In Ruth, a terrible suspicion begins to germinate: Lea may have been poisoned by intensive contact with solvents in the printing house where she has a student job. When Ruth voices her fear, the company turns on the works attorney Robert. He turns out to be Ruth's old childhood sweetheart.
Sabine Wulff
7.2/10
Sabine Wulff is almost 18 when she is released from the juvenile detention center. She doesn't want to return to her unsupportive parents or to her former boyfriend Jimmy, who got her into trouble by persuading her to steal cigarettes. She instead chooses to begin an honest life by getting a job and renting her own room.
Ein Katzensprung
5.1/10
Young lieutenant Riedel, the leader of a motorized unit of NVA riflemen, is always concerned about his men. Thus, he is all the more happy that everything is running smoothly with the new recruits when he returns from his honeymoon. It seems to him that lance corporal Weißenbach, who is not only the oldest of the men but also a formidable armoured personnel carrier driver, has been a reliable stand-in for him. Thus, Riedel is all the more surprised when he learns that Weißenbach boosts the squad's performance with partly questionable methods.
Pugowitza
6.3/10
World War II is over and Heinrich, a young German boy, influenced by the Russians, starts to act according to Communist principles in a small German village.
Men Without Beard
In his daydreams, 15-year old Otto is a real hero who masters dangerous situations by the dozen. But in reality, the rather imaginative ninth grader has trouble moving up to the next grade. Fortunately, his teacher Nickel notices that Otto does not lack intelligence, but the ability to use his imagination for the requirements of everyday school life. Together with school director Menschke, Nickel tries to change Otto’s attitude. Although this is easier said than done, Otto eventually realizes that he has to try to build his cloud-castles only after school has ended. And his teacher is going to support him in his attempts.
