The best Ursina Lardi’s drama movies

Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.

Lore leads her four younger siblings across a war-torn Germany in 1945. Amidst the chaos she encounters a mysterious refugee who shatters her fragile reality with hatred and desire.

Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.

Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event. A family next door returns from vacation. And a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up... A tragicomic catastrophe film. A poetic ballad about change and transience. After The Strange Little Cat, this is the second part of a planned trilogy about human togetherness.

Lena is happily married. From the strange man in the S-Bahn but such a pull goes out that she gets involved in a spontaneous infidelity. The stranger, Martin, also thought that the marriage with his wife was completely safe. Nevertheless, what should actually be written off as an adventure between Lena and Martin is becoming the projection screen for newly created needs and longings. Lena and Martin can not let go of each other.

After his mother's death, 17-year-old Sven moves in with his dad Achim, a taxi driver, who had divorced his mother several years earlier. It is not easy for Achim to get used to an adolescent around the house, especially since Sven hardly speaks to him. But Sven does well in school, and Achim hopes that time will bring them closer together. It is Achim's girlfriend Julia who first senses that something is wrong with Sven. Why, she wonders, does he always hang around with young boys? Why does not he have any friends his own age? She suspects that he is gay. The truth, however, is somewhat more nuanced - and chilling: Sven has pedophile tendencies. Proof is soon found on videos that shock and sicken Achim. Sven himself is shattered and regrets his actions. Julia suggests therapy, but Achim is convinced that he and Sven can handle this together. But he is wrong. Though Sven practically begs his father to lock him up in his room, Achim has confidence in his son.

For her first television film – a remake of Fassbinder’s Die bitteren Tränen der Petra von Kant – director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

Thomas Wintersperger, a man who has to learn to deal with his grief, sees his loss as an opportunity to reorganize his life.

In a small mountain valley in Italy, the former criminal Cesare discovers the corpse of his nephew Fausto.

Nineteen-year-old David dreams of being a concert pianist on the international stage. Although his talent made him special in his home town, he soon realizes that at the conservatory he is but one of many talented students.

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

A woman faces a variety of emotional crises as she spends the summer interacting in differing ways with friends, family, and lovers in this drama. Valerie is an author in her early thirties who has just moved to Berlin, while her best friend Sophie will be spending the summer in Rome.

Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.