The best Urbain Cancelier’s drama movies

Young Frenchwoman Mathilde searches for the truth about her missing fiancé, lost during World War I, and learns many unexpected things along the way. The love of her life is gone. But she refuses to believe he's gone forever — and she needs to know for sure.

Victor, a disillusioned sexagenarian, sees his life turned upside down on the day when Antoine, a brilliant entrepreneur, offers him a new kind of attraction: mixing theatrical artifices and historical reconstruction, this company offers his clients a chance to dive back into the era of their choice. Victor then chose to relive the most memorable week of his life: the one where, 40 years earlier, he met the great love.

To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

Paris 1930. Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a soverign and wild region. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

Paul de Marseul, a prestigious wine-maker and owner of a renowned chateau and vineyard in Saint-Emilion, is disheartened by the notion of his son Martin taking over the family business. Martin does not seem to have inherited the qualities that Paul esteems in a wine-maker: persistence, creative insight and technical prowess matched with passion for the job and the product, and Paul frequently reminds him of this, whether explicitly or in subtle gestures. When Philippe, the son of his manager, appears at the vineyard, Paul leaps at the chance to name him as his successor, neglecting the wishes of his own son...

Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.

A 50-year-old who is over-invested in humanitarian work is competing in the social center where she works. She will then embark her students in literacy class, with the help of a pretty foolish monitor, on the dangerous road of the code of the road.

Despite his fame, Taillandier has suddenly stopped painting. Deeply depressed, the sixty-year-old decides to go away. He has no clear goal and explains nothing to his close friends. During his travels, he has a strange encounter with Marylou, a wild teenager who was rejected by her mother. The lost girl and the man at the end of his tether will travel together awhile. Finally living like a father and daughter, at peace.