The best Ümit Çırak’s drama movies
We present our ranking of the best Ümit Çırak’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Ümit Çırak.
The Bandit
8.1/10
Baran the Bandit, released from prison after serving 35 years, searches for vengeance against his former best friend who betrayed him and stole his lover, teaming up with a young punk with his own demons along the way.
Innocence
8.1/10
Yusuf is released from prison after serving a ten year sentence. He is scared of life outside as he goes to an address given to him by another prisoner.
Where's Firuze?
7.4/10
Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...
Halam Geldi
7.2/10
The Third Page
7.3/10
Isa is blamed for a robbery. He is badly beaten and given twenty four hours to return the money. Instead of finding the money, Isa finds a gun.
Snow
6.6/10
Müzeyyen is a 22-year-old high school senior living in Antalya who spends most of her time with a posse of misfits. She lives a drug-fuelled, highly troubled life outside the norms of society. When her long-lost brother Ali decides to visit her during winter break, everyone's life is tested, each with different consequences.
Secret
5.7/10
Mahir, a musician renowned with his proud personality, has been having a secret romantic relationship with her daughter’s friend Duru. Duru’s father Ali is a traditional, family-oriented man. Mahir and Duru drift apart in their fear while Ali is just about to learn of their secret relationship.
Ulak
6.8/10
Çakal
6.6/10
The Storm
7.3/10
A true-to-life epic of Kurdish students excitedly anticipating social revolution.
Red Snow
6.5/10
Yusuf served nine years in prison for a crime he did not commit. When he returns home, he sees that his wife, who was pregnant at the time of jail, left home. While searching for his wife and child in the snowy town, he also tracks the events that happened to him. This journey, which alternates between the past and the present and becomes complicated as we ask questions, will reach places that Yusuf could not even imagine, and will change his life irrevocably.
Taş Mektep
5.4/10
Symbolizing the turning point occurred in the Battle of Sakarya in Turkish-Greek War, tells one of the most moving stories.
Elephants and Grass
7/10
Elephants and Grass (Turkish: Filler ve Çimen) is a 2001 Turkish drama film, written and directed by Derviş Zaim, about six different stories that merge into a common theme. The film, which went on nationwide general release across Turkey on January 5, 2001, won awards at film festivals in Antalya and Istanbul, including the Golden Orange Behlül Dal Jury Special Award.
Hayalet: 3 Yaşam
6.6/10
Babam Büfe
6/10
Eve Giden Yol 1914
4.9/10
Leoparın Kuyruğu
6.5/10
The Visitor
5.4/10
Ten years after being thrown out of her parental home, Nur hears that her mother is at death's door. Taking her young daughter with her, Nur hurries back to her father's world to see, and reconcile with her mother before it is too late. While the universal theme of mother-daughter relationships lies at the centre of the film, this is underpinned by an allusive subtext of incest, one of most common but least addressed social problems in Turkey. The individual stories of the family members combine with a sense of hope fuelled by tragedy to paint a portrait of the socially disconnected.
Tin
6.4/10
A sick musician comes across a homeless boy at the traffic lights. Decides to make a change in his and the boys life.
House of Nightmares: Sleepwalkers
5.5/10
Tolga is a science-fiction writer who has never been able to achieve the success of his first book. The signature day of his last book also results in a fiasco. Tolga, who has become a depressed soul, also fights with his lover Ebru and is abandoned. Tolga comes to the Nightmare House, which is far from the crowd of the city, hoping to listen to herself and to catch the muse again. Here, when he wakes up in the morning, the fatigue he does not make sense and some strange events he encounters drag Tolga into the chaos he cannot get out of. The fierce struggle confronts a father and son. Are the dream thieves two vampires, or two souls trapped in different universes and sizes, in the words of this father-son Tolga?
