The best Ulrike Ottinger’s movies
Today we present the best Ulrike Ottinger’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ulrike Ottinger’s movies.
Ticket of No Return
6.6/10
A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.
Madame X: An Absolute Ruler
5.2/10
The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all who come aboard her ship, the Orlando. A motley crew including a housewife, diva and artist (played by Yvonne Rainer) embark on a quest for self-transformation, which quickly heads towards destruction as they are subjected to Madame X's sadistic, erotic escapades.
Les réalisatrices contemporaines: l'état des choses
Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.
Audience
6.3/10
Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking. Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation. It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.
Chamisso’s Shadow
7.7/10
It starts with "Peter Schlemihl's Miraculous Story", which tells of a man travelling the world in seven-league boots. Adelbert von Chamisso wrote the tale before setting off to Russia on scientific expedition in 1815. He analysed the flora of Alaska and then explored the Northwest Passage, just like Cook and voyager Bering had done previously, the latter with physician and naturalist Steller in tow. A porthole reveals the view. Thus begins Ottinger's journey from Alaska to Kamchatka via Chukotka, with her predecessors’ log books to accompany her on her way.
Laocoon & Sons
6/10
Ottinger’s debut film already contains many of the elements that would appear in her later works: an extraordinary woman, an unusual country, and a chain of magic transformations that give rise to eccentric characterizations by an ensemble cast, here featuring Tabea Blumenschein in multiple roles. Inspired by Virginia Woolf’s Orlando, Ottinger’s allegorical work explores themes of death, destruction, and resurrection. With striking camerawork reminiscent of the antics of avant-garde psychodramas, Laocoon & Sons is filled with an exuberant sense of life, myth, tradition, and magic.
Ulrike Ottinger: Nomad from the Lake
7.3/10
Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance where Ulrike Ottinger was born and where she still often spends time. Filmmaker Brigitte Kramer chose to begin her film at Lake Constance since she too shares Ottinger’s birthplace and a great love of these waters. This is also where the filmmaker’s own artistic development began, not least as a result of her encounter with Ottinger and her work. Other fellow travellers and friends appearing in this film include art historian Katharina Sykora, collector and curator Ingvild Goetz, film historian Ulrich Gregor, philosopher Bernd Scherer and actor Irm Hermann. Using this common ground as a starting point for an exploration of Ottinger’s substantial oeuvre, this documentary provides a keen insight into the artist’s life and work.
