The best Ulrike C. Tscharre’s tv movie movies
We present our ranking of the best Ulrike C. Tscharre’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Ulrike C. Tscharre.
Bella Dilemma: Drei sind einer zu viel
6/10
Bella is in a dilemma: She lives with her ex Martin and her new boyfriend Sebastian in a shared flat. Neither does she dare to pour Martin pure wine, nor to quit. Just when Bella has come to an end to the secrecy, a bad news arrives by phone: Two very good, mutual friends of Bella and Martin have been fatally injured. They leave Tom, a two-year-old boy. Bella does not hesitate: Martin and her will take care of the boy. But how should that work in the WG? And what about Bella's relationship with Sebastian?
Play
5.6/10
Katie Fforde - Harriets Traum
5.8/10
Harriet Devonshire left school because of her unwed pregnancy and still lives with her dad Ronald. Only when he arranges for her teenage son Matthew to be enrolled in the same boarding school without consulting her, she leaves, only to find he obtains custody and she stands no chance of contesting it without a steady job. New York star photographer Leo Purbright takes her on as factotum, perhaps a shot at a real career, but his jealous assistant adds to the practical problems to square work with Matthew's present needs, miserable as bully Tommy's picked target.
Matthiesens Töchter
6.1/10
The Two Twins
6/10
By-the-book logopaedist Matthias Pretschke, failed husband and father, is the very embodiment of order, who doesn't know what hit him when his wife Petra demands a divorce. Admittedly, he hasn't paid much attention to Petra, nor to their daughter, who's in full puberty, nor to their son, who craves his dad's attention. Petra agrees to give him one week to show them if he can change. And he's in luck: he meets himself, only cooler. Tom Senger is the name of the twin he never knew he had. Though Matthias and Tom look alike, they're completely different. Tom, for example, is a typical actor: arrogant, macho and broke. Matthias decides to switch roles in the hope that Tom can be a worthy replacement for a week. "I'm playing you. Only better," says Tom, who sees right away what's missing in the Pretschke home. As the days go by, it gets more and more difficult to distinguish which one is which. And this may not be bad at all.
Für immer ein Mörder - Der Fall Ritter
6.7/10
At the beginning of 2000, the young commissioner Yvonne Weber moved from Frankfurt am Main to Eisenach. Together with the local colleague Frank Wolf, she is to review an unresolved murder case from the GDR era. The investigation team encounters inconsistencies in the file and it becomes clear that there is no interest in truth-clarifying the Eisenach department and the prosecutor's office in Gotha.
Die Konfirmation
5.3/10
What do parents think first when the room of a 15-year-old is empty on Sunday morning? The fact that he secretly goes to church, brings his otherwise open-minded patchwork family together: what's going on in the child's head? While Ulrike C. Tscharre wants to be the indignant mother of the pastor, Ben Braun proposes in the role of the casual stepfather before a self-experience trip in the distance.
Hochzeitskönig
Gentle, patient Bavarian policeman Barney Brunner soon starts regretting having agreed to merge his household -including duly skeptic preteen son Feddy - with his chaotic lover, workaholic social worker Hanna König -with teen brat Lia, who asks neither before inviting her hunky boyfriend Alkan in her bed. Hannah's mother Wilhelmine being hospitalized after a car crash, she volunteers to run her wedding agency, but finds it dangerously in debts and commandeers Barney's 'help' to save it. Barkeeper and bride client Jenny pawned the rings bought by groom Simon Riedel, an unsuspecting ministerial driver, who ignores her gambling addiction and semi-fraudulent first marriage. Hannah even drags her home, wrecking Barney's last hope of some privacy or quiet, even expects his legally dubious help for the thief.
Mord in Eberswalde
7/10
Heinz Gödicke (Ronals Zehrfeld) is the chief commissioner of the People's Police in the small town of Eberswalde in Brandenburg. Gödicke is called when two bestial murdered children are found in the forest. The investigator tries to get involved in the perpetrators - a rarely used method at the People's Police - and the perpetrator so on the track. The Stasi-Major Witt (Florian Panzer) is no friend of this procedure and leaves the commissioner only reluctantly free hand in the investigation. The matter does not go to the authorities fast enough and is then simply put to the files. When another murder occurs, it becomes clear that Gödicke was much closer to the enlightenment of the act than everyone thought.
Wer Wind sät
6/10
Oliver von Bodenstein and Pia Kirchhoff determine in the environment of a wind turbine company and their opponents - each of which has its own motive. A storm of revenge, greed and betrayal brews together.
Manhunt: Escape to the Carpathians
6.5/10
A breathless criminal hunt, which leads into the remote mountain world of Romania, with the portrait of a foreign country, which has remained standing in time. Hanna Landauer and Sven Schröder are part of a special unit of the LKA, which traps fugitives across the borders to the remotest corners of the world.
Zielfahnder: Blutiger Tango
6.7/10
LKA-Zielfahnderin Hanna Landauer and her new colleague Röwer travel to Montevideo to provide the couple Tezlaff. It once kidnapped an industrialist and extorted 10 million ransom. The money has since disappeared.
Wealthy Corpses: A Crime Story from Starnberg
6.5/10
A crime movie directed by Dominik Graf.
MuM Calls It Quits
4.3/10
Carla Michelsen has had enough. Each of her three children will get 250,000 euros if they sign a contract she’s drawn up to disown them. Will they go for it? Philipp, the youngest, desperately needs the money, as he’s lost a fortune through speculation. Rita takes a while to decide, but eventually also accepts this sudden break. The only one who vehemently resists it is Doro, the middle child; she values the family unit. While the siblings can’t handle staying with their mother and prefer to stay in a hotel, Doro’s daughter, Joe, stays with her grandmother. The two get along well. When Joe confesses to being pregnant, however, Carla straightforwardly advises the granddaughter to have an abortion. Joe is horrified. In a rash move, she takes off with some of the money — with unforeseen consequences.
Unterwegs mit Elsa
5.6/10
Lots of debts and a dilapidated villa in Croatia: Elsa has not remained more of the fortune of her deceased husband. To see the estate, the widow makes her daughter and her young granddaughter on their way to the former Yugoslavia. Thanks to bankruptcies, bad luck and mishaps, the planned short trip to the stormy Odyssey.
Wiedersehen in Verona
4.6/10
Director Dirk Regel staged a very romantic love story, a warm-hearted story of love and trust, of old dreams and the courage to give a lucky chance a second chance against the picturesque backdrop of Verona. The main roles of the prevented dream couple are best filled with Katharina Böhm and Christoph M. Ohrt. Other roles include Theresa Scholze, Ulrike C. Tscharre and Mirko Lang.
Brezeln für den Pott
6/10
Two worlds collide when the thoroughbred Swabian Roland Reuter is transferred to Duisburg by his employer, the bakery Weckle. There he is supposed to bring the downsized company branch back into the black. For the solid employee an immense challenge - not least because his wife Sybille and pubescent daughter at home in the country has remained. Thus, Roland works hard from Monday to Friday to implement Swabian work ethic for his staff, who are endowed with typical Ruhr-pot-serenity.
Sarah Kohr - Stiller Tod
Work is underway on the destruction of deadly substances in a sealed-off factory under the highest security precautions. Then the lead chemist Dr. Diestel kidnapped. A cartridge of sarin gas is stolen with him. A poison that kills silently, invisibly and odorless within a few minutes. Enough for an attack, enough for an act of terrorism. As quietly and unnoticed as the theft took place, the hunt for the perpetrator must also be secret. Do not stir up panic and no invitation to free riders, so prosecutor Anton Mehringer. He entrusts Sarah Kohr with the investigation - without a stir, but with full authority. She finds out that there is no terror cell behind the theft, but that the perpetrator was guided by a very personal motive for revenge. When Sarah Kohr can secure the warfare agent, the nightmare is far from over, but escalates into an immense threat.
