The best Ulrich Matthes’s drama movies

In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.

Austrian farmer Franz Jägerstätter faces the threat of execution for refusing to fight for the Nazis during World War II.

In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.

In a village on the Hungarian border, two young brothers grow up during war time with their cruel grandmother and must learn every trick of evil to survive in the absurd world of adults.

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

Malchow, German Democratic Republic, 1980. 20-year-old Anne is hiding Juri, a deserter of the Red Army. The two fall in love with each other. But their love is threatened: there is an arrest warrant and possibly a death sentence waiting for Juri. The two leave the country and flee to the West, leaving Anne’s six-month-old daughter Inga behind. Inga grows up with her grandparents and thinks that her mother died during a swimming accident. 25 years later she meets the literature professor Robert, who sends her on the trail of her past. He met Inga’s mother Anne during one of his seminars. At first Inga is resistant, but then she asks for Robert’s help. Together they take off on a journey through Germany, in search of Inga’s mother Anne...

An insecure drama student is given the lead role in a play by her director, but the role she is supposed to play is at odds with her real personality. The fusion of her stage persona and her real life persona becomes a psychological tour de force for the young woman, changing her private life.

A drama loosely based on Jean Bernard's Nazi-era prison diary.

Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter...

A lighthearted look at the opening of the border crossing of Bornholmer Straße in Berlin from the point of view of the confused border guards.

The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. However, this should not be done abroad, but quite legally with the help of his family doctor. For Dr. Brandt (Anna Maria Mühe), out of personal conviction, it is out of the question to get her elderly but healthy patient a fatal preparation.

On the day of his wife's funeral, Patrick wants to take his own life. But suddenly Malte shows up, his best friend from his youth, whom he has not seen for over 30 years.

October 1941. Eighteen months into France’s occupation by German troops, young Communist members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler demands the deaths of 150 Frenchmen, as 'retribution'. The targets are to be mostly young men believed to share the assassins’ political convictions. Most of these men are taken from an internment camp for opponents of the occupation; a 35-year-old French rural administrator is ordered to select the victims. Although the parish priest appeals to their conscience and moral sensibilities, both the German military and their French helpers slavishly follow their orders.

It was a devastating day for Arnold and his wife, Karen when their son, Christian, a soldier in the German armed forces, told them he was going to be deployed abroad. Everything is different now. Arnold has decided to retreat to a secluded mountain hut in Tirol along with his dog in order to finally find some peace of mind. Barely has he reached his snow drenched destination, when he discovers the threatening traces of an intruder. While ruminating over the news of his son and the conversations he had with his wife, Arnold must also battle against an unknown fiend if he wants to save his own life. Director Rick Ostermann’s second feature elegantly combines two different time levels to tell the tale of a mourning middle-class German family, and the battle of a man against anger and loneliness in the face of inner and outer danger.