The best Tyler Butterworth’s movies
We present our ranking of the best Tyler Butterworth’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Tyler Butterworth.
Darling
7/10
The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.
The Magnificent Two
5.2/10
Two salesmen travel to a small South American Country to peddle their wares. However the country is in the middle of a major conflict between the Government led by Diaz and the rebels led by Torez. When Torez is accidentally killed the rebels mistaken pick up one of the salesmen, Eric, as he looks like Torez. Eric and Ernie are promised millions to carry on the charade once the rebels take charge. However once Eric takes charge he finds himself back in danger as scheming general Carillo plans to remove the impostor from his role.
The Two Gentlemen of Verona
6.5/10
Two great friends leave Verona for Milan, Valentine with great enthusiasm and Proteus unwillingly, as he will have to leave his recently-betrothered Julia. Valentine soon falls in love with Silvia, daughter of the Duke of Milan, but then Proteus meets the captivating Silvia... and he too becomes besotted.
Consuming Passions
5.5/10
Adapted from a play written by two Monty Python vets, this toothy satire launches with a tragic accident at Chumley's chocolate factory when hapless manager Ian Littleton (Tyler Butterworth) accidentally knocks several employees into a huge chocolate vat. The tragic mishap at the chocolate factory results in candy lovers getting an unexpected 'extra' in their sweets.
What the Butler Saw
7.5/10
White golliwogs, cross-dressing coppers, bellboy rapists, insanity, incest, and Winston Churchill’s giant member all play their part in this BBC production of Joe Orton’s farcical, bitingly satirical 1969 play, in which the head psychiatrist of a lunatic asylum, when trying to conceal the attempted molestation of his new secretary from his wife, only succeeds in making himself (and everyone else) look completely round the bend.
