The best Trey Anastasio’s documentary movies

A humorous and provocative examination of one artist's dynamic work and its relevance within the cultural biography of America, documenting one man's journey as he traveled each of the 50 states to ask Americans of all races, shapes and body sizes to take off their clothes and pose in public, before his camera all for the sake of art. Artist Spencer Tunick's subjects are not paid models, but ordinary citizens. The film exposes America's current attitudes towards nudity, sexuality, body image, and all the other baggage that comes up when we take off our clothes.

The story of music and the music industry told through interviews with musicians, composers and producers across genres.

Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.