The best Tracie Thoms’s music movies

Rent: Filmed Live on Broadway is a 2008 film of the final performance of the original Broadway production of the musical Rent on September 7, 2008, with some footage of the closing night celebration. The film had a limited theatrical release between September 24 and 28, 2008, in more than 500 theaters with high definition digital projection systems in the US and Canada. The film is assembled from footage shot at the September 7 performance as well as a day of shooting on August 20. It includes a reprise of "Seasons of Love" featuring both the final cast and cast members from past productions, including the original Broadway cast following the finale of the show proper.

Nominated for five 2017 Tony Awards, including Best Revival of a Musical, Falsettos is a hilarious and poignant look at a modern family revolving around the life of a gay man Marvin, his wife, his lover, his soon-to-be-bar-mitzvahed son, their psychiatrist, and the lesbians next door. Originally Episode 2 from Season 43 of Live From Lincoln Center on PBS.

This visual album features artists Nicole Scherzinger, Jordin Sparks, Perez Hilton, Joseph Gordon-Levitt, Amber Riley, Raven Symoné and Tamar Braxton among others, telling the emotional story of Broadway star Todrick Hall's upbringing and rise to fame as a gay black man in the entertainment business, while holding the theme of 'The Wizard of Oz'.

A quarter century ago, Jonathan Larson’s groundbreaking musical, RENT, opened at New York Theatre Workshop. From its humble beginnings at NYTW, this rock musical went on to shape a generation. What began in the East Village traveled to Broadway, across the nation and around the world. On March 2, 2021, NYTW held its biggest fundraising event of the year, 25 YEARS OF RENT: MEASURED IN LOVE. This virtual celebration of RENT and its impact on the collective cultural consciousness featured a selection of iconic songs by some of today’s most beloved recording and theatre artists, exclusive content uncovering how RENT came to life, and reflections on the driving force of Jonathan’s legacy in the American theatre.