The best Toni Collette’s music movies
Today we present the best Toni Collette’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Toni Collette’s movies.
Velvet Goldmine
6.9/10
Almost a decade has elapsed since Bowiesque glam-rock superstar Brian Slade escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.
The Magic Pudding
5.8/10
Meet Albert, The Magic Pudding, Bunyip Bluegum, a splendid young koala and his seafaring friends Bill Barnacle and Sam Sawnoff. Together they fight off the bungled attempts of pudding thieves, Possum and Wombat, and try to solve the mystery of Bunyip's parents' disappearance.
Hearts Beat Loud
6.9/10
In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly jam sessions into a father-daughter live act. After their first song becomes an internet breakout, the two embark on a journey of love, growing up and musical discovery.
Connie and Carla
6.2/10
After accidentally witnessing a mafia hit in the Windy City, gal pals Connie and Carla skip town for L.A., where they go way undercover as singers working the city's dinner theater circuit ... as drag queens. Now, it's not enough that they become big hits on the scene; things get extra-weird when Connie meets Jeff -- a guy she'd like to be a woman with
Cosi
6.7/10
Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients who wants to stage the opera Cosi Fan Tutte by Mozart despite the fact that none of the patients are able to sing and none of them speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.
Let's Dance
6.2/10
Justin Peck, the New York City Ballet's resident choreographer, created a series of dances for 2018's best actors. The scenarios put everyday characters in familiar situations: packed into a subway car, stuck in a doctor's office, caught in downpour. But once they start moving, the actors turn our common experiences into welcome moments of enchantment.
