The best Tomáš Matonoha’s movies

This unofficial Czech remake of Alexander Payne's blockbuster seriocomedy Sideways (2004) concerns Jirka and Honza, two friends who check in as complete opposites on every level; Honza is a polished urbanite, Jirka a nickel-and-dime crook with a flair for wooing women. The men's friendship is characterized by an unending series of wild schemes and escapades. When Honza learns of his grandfather's impending death, it brings him face-to-face with his own mortality and encourages him to fulfill his long-held dream, while he still has the opportunity: to embark on a dream vacation to the vineyards of Morovia, with buddy Jirka in tow.

Insufficient brothers Jakub and David, along with friend Sasa, spend most of their time in the social networking world. Relationships for them are chat with virtual girls they have never seen, living a fake fashion show in which they pretend something that is not the biggest life problem, then a discharged cell phone or a broken wifi. The pressure of parents is forced to go under the leadership of David's charming "stepmother" Tereza on a twenty-kilometer bicycle trip, surprisingly finding out there is a real world out there in which life means more than facebook status, real girls look a little better than cartoon action heroes of virtual games and love also include sex.

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

The story is about a plumber, who is called Good man from the bones. He is not afraid of any work, he manages all the work he gets. Wittily responds to every situation that befalls him.

Miloš Knor brings a group of Czech comedians on a tour around the Czech Republic.