The best Tom Dugan’s music movies

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the big earthquake.

Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star attraction (and Joe's love interest), Kate Farley, a brash singer with a penchant for flashy clothes. Eddie and Kate argue as he tries to soften her image. Eventually, Kate becomes the toast of Coney Island and the two fall in love. Joe then tries to sabotage their marriage plans.

The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie.

Musician Adam Lemp and his four equally musical daughters, Emma, Ann, Kay, and Thea, live happily together. Each daughter has an upstanding young man for whom she cares. However, the arrival of a cynical, slovenly young composer named Mickey Borden turns the household upside-down, and romantic and tragic complications ensue.

A Cinderella story of a young country girl who comes to Hollywood and achieves movie stardom with the help of a publicity man.

Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the band's tour and learns about life as an orchestra wife, weathering the catty attacks of the other band wives.

A former reporter comes back home after serving in the army during World War I and finds that it's much more difficult to find work than he expected. Desperate, one day he crashes a wedding attended by many of the city's rich and powerful, meets a beautiful girl named Kay who turns out to be his ticket to meeting those rich and powerful people, and he soon manages to land a job on a newspaper. He gets caught up in the "make money at all costs" game but receives a rude awakening when the stock market crashes in 1929.

At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take

Hypochondriac Danny Weems gets drafted and accidentally smuggles his girlfriend aboard his Pacific-bound troopship.

Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

Larry Poole, in prison on a false charge, promises an inmate that when he gets out he will look up and help out a family. The family turns out to be a young girl, Patsy Smith, and her elderly grandfather who need lots of help. This delays Larry from following his dream and going to Venice and becoming a gondolier. Instead, he becomes a street singer and, while singing in the street, meets a pretty welfare worker, Susan Sprague. She takes a dim view of Patsy's welfare under the guardianship of Larry and her grandfather and starts proceedings to have Patsy placed in an orphanage.

Joe Palooka is a naive young man whose father Pete was a champion boxer, but his lifestyle caused Joe's mother Mayme to leave him and to take young Joe to the country to raise him.

Of the singing Beebe brothers, young Mike just wants to be a kid; responsible Dave wants to work in his garage and marry Martha; but feckless Joe thinks his only road to success is through swapping and gambling. It seems the only thing all three can join in is their singing act, which Mike and Dave hate. Finally, all Joe's hopes are pinned on a race horse he's acquired swapping, but it's a bigger gamble than his family knows.

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

A madcap comedy about a kid sister who tries to steal her older sister's boyfriend. Her plan involves joining forces with a burglar to rob the unfortunate suitor's home.

In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.