The best Tom Atkins’s comedy movies
Today we present the best Tom Atkins’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Tom Atkins’s movies.
Creepshow
6.8/10
Inspired by the E.C. comics of the 1950s, George A. Romero and Stephen King bring five tales of terror to the screen.
Lethal Weapon
7.6/10
Veteran buttoned-down LAPD detective Roger Murtaugh is partnered with unhinged cop Martin Riggs, who -- distraught after his wife's death -- has a death wish and takes unnecessary risks with criminals at every turn. The odd couple embark on their first homicide investigation as partners, involving a young woman known to Murtaugh with ties to a drug and prostitution ring.
Bob Roberts
7/10
Mock documentary about an upstart candidate for the U.S. Senate written and directed by actor Tim Robbins. Bob Roberts is a folksinger with a difference: He offers tunes that protest welfare chiselers, liberal whining, and the like. As the filmmakers follow his campaign, Robbins gives needle-sharp insight into the way candidates manipulate the media.
Night of the Creeps
6.7/10
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
The Ninth Configuration
6.8/10
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
The Owl and the Pussycat
6.4/10
Meek, owlish Felix and strident, catty Doris live in the same apartment building. His incessant typing bothers her; her gentlemen callers bother him. Felix informs the landlord of her activities, so Doris moves in on Felix. When they both get thrown out, they move in with Barney... until they drive him out! That's when Felix and Doris finally decide to put theory into practice. But do opposites attract?
