The best Tito Alonso’s movies

Tito Alonso

Tito Alonso

01/01/1926- 01/01/1979
Today we present the best Tito Alonso’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Tito Alonso’s movies.
Genre:

Filomena Marturano

Filomena Marturano
7.2/10
  • Genre: Drama
  • Release: 20/01/1950
  • Character: Humberto
Filomena, a former prostitute in her 40s, tricks a wealthy shopkeeper to marry her and support her three children.

The Bad Life

The Bad Life
6.3/10
  • Genre: Crime
  • Release: 28/06/1973
  • Character: Comisario
A look at the Buenos Aires underworld and its protagonists: the pimps, the prostitutes, the madams, and the politicians.

Savage Pampas

Savage Pampas
6.8/10
In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires, for deserting soldiers.

Arrabalera

Arrabalera
6.7/10
  • Genre: Drama
  • Release: 25/04/1950
  • Character: Minguito
Disenfranchised working-class woman leaves a bad man and finds a good one. Twenty years later...

Los torturados

Los torturados
6.5/10
  • Genre: CrimeDrama
  • Release: 18/10/1956
  • Character: Ernesto Mario Bravo

Aconcagua

Aconcagua
Life in a detachment at the foot of the mountain range is altered by an accident and by a woman.

María Celeste

María Celeste
  • Genre: DramaRomance
  • Release: 05/04/1945
  • Character: Marinero

Éramos seis

Éramos seis
  • Genre: Drama
  • Release: 30/08/1945
A mother recounts the different stages experienced by her family.

Hardly a Criminal

Hardly a Criminal
7.2/10
  • Genre: CrimeDrama
  • Release: 22/03/1949
  • Character: Carlos Morán
A bank employee uses a loophole in Argentine law to concoct the perfect crime, planning to reap the rewards of his embezzlement after serving six years in prison…

Campo virgen

Campo virgen
  • Genre: Drama
  • Release: 07/05/1959

The Mystery of the Yellow Room

The Mystery of the Yellow Room
6.8/10
  • Genre: Mystery
  • Release: 16/04/1947
A journalist investigates several crimes, one of which involves the well-known riddle of the "closed room".

El inglés de los güesos

El inglés de los güesos
6.5/10
A country girl falls in love with an English professor who's in the country studying fossils, but must return to his land.

White Eagle

White Eagle
  • Genre: Drama
  • Release: 16/04/1941
The happiness of a child is marred by the harsh attitude of the captain of a boat.

Turismo de carretera

Turismo de carretera
6/10

Procesado 1040

Procesado 1040
7.3/10
  • Genre: DramaThriller
  • Release: 04/09/1958
  • Character: El Potrillo
Elderly suburban man is imprisoned over a misunderstanding about some garden utensils.

A Sangre Fría

A Sangre Fría
6.1/10
  • Genre: DramaThriller
  • Release: 06/06/1947
  • Character: Hijo del Dr. Morel
A couple plans to poison a wealthy elderly to stay with his fortune. However, the plans of the villain and his accomplice stagger at the last minute.

Los chicos crecen

Los chicos crecen
6.1/10
A married man takes advantage of his friendship with another man, making him pretend to be the father of the children he has out of wedlock.

Campo arado

Campo arado
  • Genre: Western
  • Release: 10/04/1959
A rural epic that follows the steps of the history of a family. Shot in black and white, in cinemascope.

Canuto Cañete y los 40 ladrones

Canuto Cañete y los 40 ladrones
6.4/10
  • Genre: Comedy
  • Release: 02/07/1964
  • Character: Tito

The Priest Lorenzo

The Priest Lorenzo
7.3/10
  • Genre: Drama
  • Release: 01/01/1954
A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.

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