The best Tim McIntire’s drama movies

Set in the year 2024 in post-apocalyptic America, 18-year old Vic and his telepathic dog, Blood, are scavengers in the desolate wilderness ravaged by World War IV, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats.

The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

A group of Los Angeles cops decide to take off some of the pressures of their jobs by engaging in various forms of after-hours debauchery.

A dirty corrections officer gets involved in a murder plot involving one of the inmates.

Lem Siddons is part of a traveling band who has a dream of becoming a lawyer. Deciding to settle down, he finds a job as a stockboy in the general store of a small town. Trying to fit in, he volunteers to become scoutmaster of the newly formed Troop 1. Becoming more and more involved with the scout troop, he finds his plans to become a lawyer being put on the back burner, until he realizes that his life has been fulfilled helping the youth of the small town.

This is the story loosely based on Cleveland disc jockey Alan Freed, who introduced rock'n'roll to teenage American radio audiences in the 1950s. Freed was a source of great controversy: criticized by conservatives for corrupting youth with the "devil's music"; hated by racists for promoting African American music for white consumption; persecuted by law enforcement officials and finally brought down by the "payola" scandals.

Bobby and Rose, two youngsters who are in love, have to run away from home when they are falsely accused to have committed a robbery and an assassination.

Two students at neighboring colleges get swept up in first love. Pookie Adams, a kooky misfit with no family or friends, clings to the quiet and studious Jerry, who has the ability to make a choice of living in Pookie's private world or be accepted by the society that Pookie rejects. Unwittingly, it is through their awkward relationship that Pookie prepares Jerry for the world of "weirdos" that she doesn't fit into.

Harry Orwell has been retired from the force ever since he caught a bullet that lodged inoperably in his back. But that doesn’t mean the man called Harry O is out of the action. Moonlighting as a private sleuth, fighting off daily back pain and typically traveling by public bus instead of his own car (“It gives a man a chance to think”), he’s on the trail of the lowlife who murdered his pal’s son-in-law. It won’t be the only time the killer strikes before Harry closes in. David Janssen (The Fugitive) portrays dogged detective Harry in the telefilm that was the second of two pilots preceding his memorable Harry O series. Among the highlights: young Jodie Foster as Liberty, the wise-beyond-her-years homeless waif Harry befriends.

SACRED GROUND tells the fact-based story of a mountain man and his Indian wife who happen upon a partially built cabin and finish it for their own home, not realizing that they occupy a sacred burial ground. A Paiute burial party clashes with the couple and in the ensuing skirmish, the wife is critically wounded while in the middle of childbirth. Bitter over her loss and needing a wetnurse for his baby, he steals one of the Paiute woman who had just lost a baby. In this modern version of Helen of Troy, the battle is on, as he takes on the whole band in a desperate attempt to survive. Written by Dale Roloff

Andy Griffith plays a philandering apartment house manager who picks up a pretty young girl (Suzanne Hildur) in a bar. He takes her home, whereupon the girl's male cronies show up armed with guns. Griffith and his wife (Ida Lupino) are held hostage by the crooks, who plan to use the apartment as headquarters while they pull off a big robbery. Director Paul Wendkos stages the action essentially from the victim's point of view; we see only what they see, and are kept guessing as to the full details of the crime and the ultimate fate of the hostages. Based on a novel by Fielden Farrington, The Strangers in 7A was first telecast on November 14th, 1972 as a CBS Movie of the Week.