The best Tian Xiaojie’s movies

Tian Xiaojie

Tian Xiaojie

30/01/1970 (54 años)
We present our ranking of the best Tian Xiaojie’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Tian Xiaojie.
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Beginning of the Great Revival

Beginning of the Great Revival
3.1/10
A chronicle of the events that led to the founding of the Chinese Communist Party.

I Am Not Madame Bovary

I Am Not Madame Bovary
6.9/10
  • Genre: ComedyDrama
  • Release: 29/09/2016
  • Character: Mayor's secretary
Li Xuelian, a woman from the countryside is falsely accused by her husband of having an affair. To defend herself, Li moves from her small town to the big city until she reached the capital.

Back to 1942

Back to 1942
6.9/10
  • Genre: DramaWar
  • Release: 01/11/2012
  • Character: Officer
In 1942, Henan Province was devastated by the most tragic famine in modern Chinese history, resulting in the deaths of at least three million men, women and children. Although the primary cause of the famine was a severe drought, it was exacerbated by locusts, windstorms, earthquakes, epidemic disease and the corruption of the ruling Kuomintang government.

Storm

Storm
The film is a key film project for the 100th anniversary of the founding of the Party by the Propaganda Department of the Guangdong Provincial Party Committee, revealing the unknown revolutionary party history of Shantou Red Transportation Station. The film tells the story of a group of unsung heroes in Shantou who, during the period of the Agrarian Revolution, fought against the enemy with their blood and lives in the revolutionary struggle

Sentence Me Guilty

Sentence Me Guilty
  • Release: 17/06/2016
The Chinese medical drama-thriller “Sentence Me Guilty” gives too much away in the early running and has nowhere special to go after that. Centered on a female doctor framed for highly unethical behavior in the wake of her young daughter’s death, the pic has some intriguing elements but generates little tension and doesn’t deliver the emotional clout auds might reasonably expect from a tale involving a grieving mother.

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