The best Thomas Ernst’s movies

The true story of the Fiil's a family of innkeepers who during Nazi-Germany's occupation of Denmark took up arms against the German occupiers. But in the fight for freedom, some must die so that others may live.

A family saga spanning three decades based on the mythology of the most famous race horse Denmark has ever seen. A horse which did the impossible and put Denmark on the world map through its many great victories. The film is first and foremost about the family who owned Tarok and believed in its greatness - and who, against all odds, gave Denmark hope and courage to dream.

Set in the early 1960s, the story revolves around high school sweethearts Jonas and Agnete, their friendships and families, trials and tribulations.

In every moment we make choices that define our being; choices that create shapes and patterns and carve out our lives. Until the pattern is broken – by faith, decision or coincidence. In Real Life is about such moments, where lives are drastically changed. As a multi-plot drama, created out of three years of acting improvisations, In Real Life follows three story threads with characters who come together by internet dating and by their persistent search for some kind of meaning in life between love and sheer survival.

You can run into anything in the Danish woods, but a naked woman covered in blood is not something you see every day. Her name is Robin and she not only claims to have witnessed a gruesome murder but also to having killed her assailant in self-defense. The problem is that the police doesn’t find any trace to prove what happened to her. It remains a complete mystery. Robin feels abandoned by the police, who clearly think she’s the victim of an overactive imagination. Ever her husband and her sister have all the trouble in the world to believe her. She reaches a chilling conclusion. If she didn’t kill the murderer, he must still be out there, wanting to end what he started.

When Rasmus goes to the family house to visit his dad after many months of no contact, he is met with his worst fear. His dad has momentarily lost his mind, while camping out alone in the family summerhouse, drinking heavily while trying to complete a Sci-fi novel. Rasmus has been trying for a while to break away from his dad's patterns of uncompleted projects and endless meetings with random women, by living by more honest, straight line standards. But as the weekend turns out to be a long needed experience between father and son, Rasmus learns that demons and sense goes hand in hand - and once you embrace this, the real fun can begin.