The best Thierry Hancisse’s romance movies

A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.

The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden - and in the face of his father's fierce opposition - he falls in love with this wild, untameable spirit... and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.

The day she turns 40, Marguerite Flora, a successful rep for a nuclear power company, begins receiving letters she'd sent to herself at age seven. The letters tell her what to do if her life hasn't turned out the way she thought it should, when she was living in poverty with her mother and brother in a small village in southern France. She decides to go back to her birthplace to get the lawyer to stop the letters, but also to visit her childhood sweetheart and her long-forgotten brother, in order to find peace within herself.

Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She's surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora -- until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.

A seemingly ideal marriage is thrown into embarrassing turmoil in Patrice Chéreau's period drama, based on the short story The Return by Joseph Conrad.