The best Therese Affolter’s movies
If you love cinema, you will share this ranking of the best Therese Affolter’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Therese Affolter.
The Little Witch
6.2/10
The little witch is only 127 years old – too young for the annual coven of witches. Although she is not yet old enough to be a real witch she wants to become a really good one. This decision causes trouble inside her magic world.
The Divine Order
7.1/10
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
Open Season
6.1/10
As CFO, Alexander Meier fights for the survival of the long-established Walser company – dutifully, quickly and perfectionist to the point of self-abandonment. When Hans-Werner Brockmann, an unscrupulous top manager, is appointed, he gets involved in a power struggle that increasingly throws him off track. Before the ruins of his existence, Alexander sees only one possibility left to take revenge on Brockmann.
The Baader-Meinhof Gang on Trial
7/10
Based on the research for his non-fiction book "Der Baader-Meinhoff-Komplex", "Spiegel" journalist Stefan Aust wrote the screen play to Reinhard Hauff’s controversial feature film that re-narrates the startling trial against the RAF terrorists Baader, Meinhoff, Ensslin, and Raspe. The trial that started in May 1975 in the Stammheim maximum-security prison extended over 192 days and ended with a lifetime sentence for all defendants.
Magical Mystery or: The Return of Karl Schmidt
6.5/10
Under the auspicious name "Magical Mystery" the Berlin techno label BummBumm Records wants to go on a rave tour. Karl Schmidt aka Charly himself was once an aspiring artist on the scene, until he retired after a nervous breakdown five years ago. Since then he lives in a supervised withdrawal WG in Hamburg. Now, as a driver and custodian for the party-loving DJs and their producers, he becomes part of "Magical Mystery", trying to lead a self-determined life after years of patronizing and well-intentioned advice.
Bloody Marie
5.5/10
Marie Wankelmut, once successful comic artist, lives among the prostitutes in Amsterdam's Red Light District. Nowadays drunken and bold, she gets into one conflict after another. A gruesome sobering event at her neighbors, forces her to take action.
Sheer Madness
6.6/10
Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
A Decent Man
6.6/10
Conflict-avoidant Thomas just wants a relaxing holiday in the Swiss Alps. But, it's a slippery slope from the beginning. In an effort to repair his own family ties and to impress his boss, he takes his family and his employer's daughter with him. Tragedy strikes and Thomas feels responsible. Should he be his typical passive self? Or risk doing the right thing at the expense of his relationships with his family and employer?
the Detour
4.9/10
The Detour is about a young woman travelling through Europe in search of herself and the truth of life. It is based on meetings between goatherd Joanna and Austrian author and playwright Thomas Bernhard. Joanna is lost after her boyfriend dumps her at a Women's Relief Centre in Rotterdam. She works in a library and visits the theatre, where she first sees a play by Thomas Bernhard. Bernhard's philosophy permeates Joanna's thoughts. When Camille invites her to visit the French Pyrenees, she accepts. On the way, she decides to visit Bernhard in Austria. She attempts to start a relationship with him and thereby finds herself.
Dead Flowers
6.3/10
Alex (Thierry Van Werveke), a pest exterminator who lives with his grandmother, picks up a stranded woman (Kate Valk) who claims to be the American daughter of a spy.
Letzte Liebe
7.9/10
Depicts a murky masochistic relationship.
Frühling im Herbst
7/10
Leni, in her mid-fifties, runs the local bakery with her son in a small Swiss town. When she falls in love with a much younger Argentinean dance teacher, her world is turned upside down.
Schartl
6.6/10
A series of short, absurd, humouristic episodes taking place in Passau, Bavaria. There is, among others, a documentary piece describing a drinking contest, a clerk's day-dreaming Hitler fantasies, a shy nun struggling to get oriented in a city (then turning into a pianist) during an orgy, a showmaster killing his guests with a thresher... All episodes are loosely glued together by a variation of always the same scene: an annoyed TV show / TV movie producer trying to convince both director and female main character that the last episode is unacceptable with respect to consumer needs and professional standards.
Komplizinnen
5.6/10
Lisa und die Säbelzahntiger
6.3/10
Lisa has grown up in an orphanage. She is looking forward to her adoption, as she doesn't know that her new parents are about to divorce. The Saber-toothed cat which she meets in a museum intervenes as a "feles ex machina".
Mit meinen heißen Tränen
7.9/10
Es war doch Liebe?
4.7/10
Jan, a freelance journalist, and Sabine, the mother of his two children and a textile designer, have no money. Sabine is abandoned by her husband and then gets caught up in the bureaucracy.
A sober psychogram of a woman who is fighting and hoping for her life and everyday life.
