The best Theresa Saldana’s comedy movies

Theresa Saldana

Theresa Saldana

20/08/1954- 06/06/2016
Today we present the best Theresa Saldana’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Theresa Saldana’s movies.

The Night Before

The Night Before
6.1/10
  • Genre: Comedy
  • Release: 15/04/1988
  • Character: Rhonda
The Night Before is a 1988 film starring Keanu Reeves and Lori Loughlin. Reeves plays Winston Connelly, the so-called high school nerd and vice president of the Astronomy club. Loughlin plays Tara Mitchell, the pretty and popular head cheerleader who also happens to be the local police chief's daughter. The Tagline was: "You lost your father's car. Sold your prom date. And a guy named 'Tito' wants you dead." It was filmed and set entirely in Los Angeles, California.

I Wanna Hold Your Hand

I Wanna Hold Your Hand
6.8/10
  • Genre: Comedy
  • Release: 01/04/1978
  • Character: Grace Corrigan
If they missed Beatles' first appearance in the U.S.A. they would hate themselves for the rest of their lives! So six young girls from New Jersey set off even though they don't have tickets for the show! The journey is full of surprises and misfortunes but the young ladies are determined to reach their idols.

Home Movies

Home Movies
5/10
  • Genre: Comedy
  • Release: 16/05/1980
  • Character: Judy
A cult guru urges a shy disciple to make life a movie and be its star.

Miss Lonelyhearts

Miss Lonelyhearts
6.8/10
Although based on Nathanael West's novel that essentially trashes the journalist's trade as cold-hearted and Machiavellian, director Michael Dinner has opted to make his journalist a pathetic figure instead. The story centers on a reporter who is trapped into writing the "Miss Lonelyhearts" column for a local newspaper and then slowly comes apart emotionally and psychologically as he gets involved with the troubles of his readers. While the plot of the film remains solid, the characterization of the journalist changes the intent -- and whether that is for better or worse will depend on the viewer.

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