The best Theo Maassen’s comedy movies

A cat who turns into a young woman helps a journalist protect their town from a factory boss with an evil plan.

Because of a bad marriage of their parents, two brothers Jules and Max made a pact never to get into a relationship with a woman. Therefore, they live a party-life in which they sleep with a different girl every day. However this changes when Jules starts to date Anna and Max falls in love with her. Can their bromance overcome this love triangle.

Four women are sick of being poor. They decide to rob a bank. They are surprised how easily they get away with it and start to commit more robberies. When the net finally closes around them they decide to make one last big hit.

Little Ben, a great admirer of an illusionist, dreams of making magic, and convinces her father to have his own show. The downside is that the parent is quite clumsy and accidentally makes Ben"s partner dissapear. And the police does not much believe in the magic ...

When they are confronted with the disease of the pater familias, all the members of the Liefhebber family have to face their fears, faults and their troubled interrelationships.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.