The best Teri Garr’s documentary movies
Teri Ann Garr (born December 11, 1944) is a retired American actress, dancer and singer. She frequently appeared in comedic roles throughout her career, which spans four decades and includes over 140 credits in film and television Her accolades include one Academy Award nomination, a BAFTA Award nomination, and one National Board of Review Award.
Born in Lakewood, Ohio, Garr was raised in North Hollywood. She is the third child of a comedic-actor father and a studio costumer mother. In her youth, Garr trained in ballet and other forms of dance. She began her career as a teenager with small roles in television and film in the early 1960s, including appearances as a dancer in six Elvis Presley musicals. After spending two years attending college, Garr left Los Angeles and studied acting at the Lee Strasberg Institute in New York City.
Her self-described "big break" as an actress was landing a role in the Star Trek episode "Assignment: Earth", after which she said, "I finally started to get real acting work."
Garr had a supporting role in Francis Ford Coppola's thriller The Conversation (1974) before having her film breakthrough as Inga in Young Frankenstein (1974). In 1977, she was cast in a high-profile role in Steven Spielberg's Close Encounters of the Third Kind. Garr continued to appear in various high-profile roles throughout the 1980s, including supporting parts in the comedies Tootsie (1982), for which she was nominated for the Academy Award for Best Supporting Actress for her role of Sandra Lester, and then appearing opposite Michael Keaton the next year in Mr. Mom (1983). She reunited with Coppola the same year, appearing in his musical One from the Heart (1982), followed by a supporting part in Martin Scorsese's black comedy After Hours (1985).
Her quick banter led to Garr being a regular guest on The Tonight Show Starring Johnny Carson and Late Night with David Letterman. In the 1990s, she appeared in two films by Robert Altman: The Player (1992) and Prêt-à-Porter (1994), followed by supporting roles in Michael (1996) and Ghost World (2001). She also appeared on television as Phoebe Abbott in three episodes of the sitcom Friends (1997–98). In 2002, Garr announced that she had been diagnosed with multiple sclerosis, the symptoms of which had negatively affected her ability to perform beginning in the 1990s.
And the Oscar Goes To...
7.1/10
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
Searching for Debra Winger
6.4/10
Rosanna Arquette talks to various actresses about the pressures they face as women working in the entertainment industry.
Making Frankensense of Young Frankenstein
6.9/10
Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.
The Making of 'Close Encounters of the Third Kind'
7.2/10
A documentary film on the making of 'Close Encounters of the Third Kind'
The T.A.M.I. Show
8.2/10
Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols - representing the musical moods of London, Liverpool, Hollywood and Detroit - packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.
Rendez-Vous Video Magazine
This 1981 video magazine “For the Man Who Wants More…” contains Monte Hellman’s short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios, “Inside the Coppola Personality” (aka “Coppola: A Profile”). Also inside is “Modesty”, a self-portrait by Bob Rafelson, shot by Bruno Nuytten; a portrait of a pubic hair dye specialist; a travelogue on Bangkok; a candid camera with a planted hussie at a gas station. a.o.
