The best Teresa Madruga’s movies
If you love cinema, you will share this ranking of the best Teresa Madruga’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Teresa Madruga.
Tabu
7.3/10
Lisbon, Portugal, 2010. Pilar, a pious woman devoted to social causes, maintains a peculiar relationship with her neighbor Aurora, a temperamental old woman obsessed with gambling who lives tormented by a mysterious past.
According to Pereira
7.2/10
Portugal 1938. Pereira is the editor of the culture section of the "Lisboa," an unaffiliated evening paper. There is a civil war in Spain and the fascists are in power in Portugal, but he concerns himself only with his work – writing biographies of famous writers and translating French novels – and ignores what is going on around him. He hires Monteiro Rossi, an idealistic young man in love with a beautiful communist, as an assistant. He reluctantly helps them when they begin to get into trouble due to subversive activities. Eventually, events force him to take a stand.
My Name Is Bernadette
6.4/10
Between February and July 1858, in the Massabielle cave, the Virgin appeared eighteen times to Bernadette Soubirous, a miserable little girl from Lourdes. A true revolution in the heart of the Second Empire that shakes the established order by his universal message of love and prayer.
Imagine
7.3/10
A blind teacher breaks the rules to help a female student rediscover the pleasures of life.
Soleil battant
6.1/10
Gabriel and Iris head back to their family holiday home in Portugal with their daughters Emma and Zoé, a couple of adorable six-year-old twins, for a vacation. In the heart of the sun-drenched countryside, as the little ones swim and laugh, the couple’s past begins to rear its head. Emma is overwhelmed by a secret that is simply too big for her to keep, and which she has no right to share with her twin sister.
Francisca
7.1/10
The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.
Volpone
7/10
A version of Ben Johnson's play: A Venetian swindler goes from town to town pretending to be a dying millionaire in order to attract (and dispose of) greedy "friends".
Two Drifters
5.7/10
After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of Rui's late lover, Pedro. As grief-stricken Rui mourns Pedro's death, Odete tries to transform herself into Pedro.
Variações: Guardian Angel
7.1/10
Film biography dwelling on the hectic artistic life of António Variações, a famous Portuguese pop rock singer from the 80s, who died from AIDS-related complications in 1984.
The Pact of Silence
5.7/10
Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?
My Case
6.7/10
Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.
Mouth to Mouth
6.2/10
An aimless adolescent (Ellen Page) joins several itinerant misfits who live on the fringe of society and welcome at-risk youths into their fold.
Blood of My Blood
7.3/10
A regular family living in the outskirts of Lisbon sees the serenity of their lives shaken beyond any remedy within a week.
Arabian Nights: Volume 2, The Desolate One
7.1/10
In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad ! The residents of a tower block in the suburbs will save parrots and piss inside lifts while surrounded by dead people and ghosts; including in fact a dog that…”. And seeing the morning break, Scheherazade fell silent.
Oxalá
6.7/10
A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
Silvestre
7.4/10
A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.
Moral Order
6.7/10
In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.
In the White City
7.3/10
A Swiss sailor jumps ship in Lisbon, tired of the noisy engine room, the ship. He rents a room and does little. He writes letters to his lover, describing the whiteness of the city, the solitude and the silence. He sends his love and emptiness; she replies with love and confusion.
Demain?
5.3/10
The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.
The Fatalist
5.5/10
The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride.
