The best Teo Hernández’s movies
Today we present the best Teo Hernández’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Teo Hernández’s movies.
Nuits transparentes
Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).
Cristo
7/10
All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as possible from literal interpretation. That is, it is a contemporary and personal interpretation. The story of Christ is an archetypal story. It has modified and informed a morality and a vision of the human being in the West, it must be taken for what it is and what it has become: matter.
Ephemeral
The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the moon, the rose, the child, the candle and the skull are linked in a unique picture that gives its internal meaning. Elements connected by the route of the film to lead to the final image: one in which the meaning becomes external.
Désir
Teo
Téo
Le printemps
Fragments
Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronicle that outlines a recurring obsession for registering even the most ordinary things, where the least poetic aspects of life, that is to say, the most somber ones, become the eye’s filter.
Sara/Teo
4 à 4 Métro-Barbès-Rochechou-Art
7.8/10
In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.
Three Drops of Mezcal in a Glass of Champagne
An autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father by holding backlit old photographs atop the Montparnasse Tower while reading a manifesto of sorts on his filmmaking.
Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)
A quoi rêve l'araignée ?
J'aime
Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)
Tables d'hiver
7.3/10
Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue des Entrepôts.
Le gant de l'autre
Angle
14, Bina Garden
4.8/10
"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."
Au cœur du cristal
The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.
