The best Tatsushi Ōmori’s movies

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

After the Great Kanto earthquake in 1923, a troupe of female sumo wrestlers arrive in Tokyo.

The bittersweet events in the lives of people in Hakodate, a regional city connected by a streetcar network. A laid-off man and his younger sister go up a mountain to see the first sunrise of the year. Meanwhile, Haruo has inherited his family's gas business, but things aren't going well in his new endeavor and he becomes increasingly frustrated.

Little Duck chronicles the life of a young man pulled from his life in Manhattan back to his home in rural Japan when his estranged brother runs into trouble.