The best Tamzin Brown’s movies on Apple iTunes
If you love cinema, you will share this ranking of the best Tamzin Brown’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Tamzin Brown.
Future World
3.3/10
A young boy searches a future world wasteland for a rumored cure for his dying mother.
The Disaster Artist
7.3/10
An aspiring actor in Hollywood meets an enigmatic stranger by the name of Tommy Wiseau, the meeting leads the actor down a path nobody could have predicted; creating the worst movie ever made.
The Adderall Diaries
5.2/10
Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.
Alien Rising
3/10
When a seemingly abandoned alien spacecraft is discovered orbiting Neptune, a top secret expedition is sent to investigate. In the derelict hulk they discover two surviving alien life forms telepathically linked to one other. 13 years later a savvy, ex-DEA agent and martial arts expert finds herself renditioned to a high security establishment on a remote island where they are conducting experiments on the incarcerated aliens.
Tabloid Vivant
6.9/10
Max is an artist seduced by the allure of fame. Sara is an art critic whose obsessions exceed even his. When she lands a writing gig at a major art magazine, the pair retreats to a cabin in the woods, where Max reveals his strange new painting method. Convinced of its potential, she agrees to collaborate on a piece sure to revolutionize the art world. While both original and mesmerizing, the project reveals something dark and disturbing about their relationship. Like two digital-age Frankensteins, they manage to make a painting come alive - though the unsettling consequences of their success may be more fit for the pages of a blood-soaked tabloid than the chronicles of art history.
