The best Takuma Otoo’s crime movies
We present our ranking of the best Takuma Otoo’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Takuma Otoo.
Shield of Straw
6.2/10
Ninagawa is a powerful man in Japanese politics and with top economic connections.His granddaughter is then murdered. The suspect is Kunihide Kiyomaru (Tatsuya Fujiwara). Kunihide Kiyomaru has a prior conviction for assaulting and killing a girl 8 years ago. The police could never apprehend the suspect in the prior killing.
Last of the Wolves
6.7/10
After, Shogo Ogami’s death in Hiroshima, Detective Shuichi Hioka successfully implemented Shogo Ogami’s plan, which was to control the yakuza to prevent further gang wars and save innocent people from getting harmed. Shuichi Hioka manages the criminal organizations, but, due to one evil person who gets released from prison, the situation drastically changes.
The Blood of Wolves
6.9/10
Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.
Killing for the Prosecution
6.3/10
Young public prosecutor Keiichiro Okino is assigned to the department of the Tokyo Public Prosecutors Office that deals with violent cases, where he will work with Takeshi Mogami, whom he admires. When a money lender is killed and it is suspected that someone from Mogami’s past is the perpetrator, the team prepares to do his best in order to prove the alleged criminal’s guilt.
Stolen Identity 2
4.5/10
A couple of months have passed since the serial murder case. A new dead body is found in the same area. Detective Manabu Kagaya tries to find the truth. He goes to see serial killer Yoshiharu Urano in prison.
Twisted Justice
6.2/10
Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.
