The best Takeo Chii’s crime movies

After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.

A nurse is framed for her involvement in the hospital murder of a politician who was threatening to expose corrupt practices. She escapes from jail but is captured and sent back, resulting in the rest of the inmates being punished, added to which of a new, tougher, head of security arrives to take up her new job....

A group of five friends, also known as the Pelican Gang, spends time hanging out in the city, driving around in their all-terrain buggy car and listening to psychedelic jazz fusion when one of them is approached by a mysterious horse-riding girl named Asako (Bunjaku Han) who suggests they rob 30 million yen from a religious movement called Seikyo Gakkei. The Pelicans – C-ko, Taki, Ganishin, Jiro and Debo – accept the challenge, but things are not as easy as they may initially seem.

The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.

Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.

Reiko Ike stars as the daughter of a man who has been pushed into drug dealing by the local Yakuza mob. Having outlived his usefulness to the gang he is murdered and Reiko is gang raped, leading her to attempt a knife attack on the Yakuza boss (Ryoji Hayama) at a swank nightclub. Failing to kill him she ends up in prison, where she befriends a crew of other malcontents (including Yumiko Katayama and Chiyoko Kazama) and meets the Yakuza boss's girlfriend (Miki Sugimoto). Upon release Reiko reassembles her mob and launches a Machiavellian scheme to engineer a gang war between Hayama's Oba Industries and the formerly dominant Hamayasu Clan. The rival gangs begin killing each other off and Reiko works her way closer to her ultimate vengeance.

The film follows a hippie community lead by Yoshitaro. They decide to leave their trailer in Shinjuku and travel to countryside by bicycle to save their friend Furiko who has been falsely accused for murder. The real killer – although it was mainly self defense – is Furiko’s boyfried Takaaki who is being controlled by his politician father. Takaaki would rather live free as a hippie, but his father is forcing him to become a businessman.

A group of burglars in black tights breaks into a church to commit robbery and commits outrages upon the pastor's young daughter. After some time, Detective Harada and his squad rush/came back to the church they robbed earlier. In the duty station, the police chief informs Harada that his ex-colleague, Nakamura, has escaped from a mental hospital where he had been hospitalized for insanity. Harada and his partner, Kato, are assigned to pursue Nakamura on the run. If Nakamura's insanity turns out to be false, the cop buddies must terminate him and masquerade it as self-defense.

In the setting of the Hokuriku region, where the snow and cold winds rage, for the first time in true-life yakuza film history, director Kinji Fukasaku shows battles among yakuza who value land over tradition. Hiroki Matsukata stars as Noboru Kawada, a Hokuriku yakuza who will use any measure for survival, disregarding parents, brothers, and tradition.

The disbandment of the Tanno clan left gang member Tetsu to stray from the crime family's fold. He roamed the streets as a one man band, wearing a denim jacket and long hair with sunglasses to cover his piercing eyes. Befriending a like-minded lone wolf by the name of Gebasaku, Tetsu builds a coalition against higher forces. A graphic portrayal of irrepressible anger and a friendship worth dying for.

After spending eight years in prison for murder, Hiroshi leaves his yakuza family to start a new life as a labor racketeer.