The best Takashi Naitō’s crime movies
Today we present the best Takashi Naitō’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Takashi Naitō’s movies.
Hit Woman
5.1/10
Gritty softcore thriller about a female assassin brutally victimized in her past and her target, who turns out to be her long lost lover. Can they escape their world of violence before her handler, a sadistic yakuza, catches up with them?
The Guard from the Underground
5.7/10
One of the contemporary masters of Japanese film, Kiyoshi Kurosawa here fashions a dark tale that is both a sharp satire of corporate life and a B-movie thriller. A former sumo wrestler now working as a security guard goes on a murderous rampage in the company that's employed him.
Kizu
Passion
5.7/10
A man who tries to mend his past by helping his best friend’s sister.
New Battles Without Honor and Humanity 3: Last Days of the Boss
6.8/10
The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.
Sabu and Ichi's Detective Stories
Bunsei era, at a time when Edo culture is at its peak, and barely 50 years before the arrival of the Meiji Restoration in 1868. Sabu is a cheerful, honest young man who left his hometown with the dream of becoming a policeman. He is an informant to the policeman Saheiji of Asakusa in Edo and stays with him and his daughter Midori. One day, Sabu encounters the cool master swordsman Ichi, who makes a living giving massages, and they become partners in an unexpected way. Although Sabu is still an informant, he and the blind Ichi collaborate in a way that compensates for each other’s shortcomings. Sabu becomes Ichi’s eyes while Ichi becomes Sabu’s right-hand man and solves cases with his well-honed skills of deduction as they search for the truth in difficult cases in Edo. One case starts with the discovery of two dead bodies in the Sumida River. The bodies have diagonal slashes and were left in boxes.
Rapewoman: Dirty Sunday
Naoko is getting a lot of obscene phone calls, so she decides to stay at her girlfriend Mari's home for awhile, afraid of a rape attack. But the telephone calls don't stop, and the mysterious pervert caller is bothering her there too. Naoko reluctantly agrees to meet meet him at a local restaurant, hoping the man will stop. When she arrives, Naoko is surprised to find the café is operated by Harada, a man whom she and Mari had liked so much in the past that, in fact, they had cat fights over him at their working places. It was due to a love triangle scuffle that they had been both fired from their previous jobs.
The New Morning of Billy the Kid
5.7/10
All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.
