The best Tadeusz Fijewski’s drama movies
Today we present the best Tadeusz Fijewski’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Tadeusz Fijewski’s movies.
The Doll
6.9/10
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
A Generation
7.1/10
Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives. A coming-of-age story of survival and shattering loss, A Generation delivers a brutal portrait of the human cost of war.
The Noose
7.7/10
A day in the life of an alcoholic. With the help of his girlfriend Krysia, Kuba attempts to regain control of his life. But when his girlfriend is at work and Kuba home alone, resisting temptation becomes hard.
Nights and Days
7.4/10
Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.
The Peasants
7.2/10
In a bucolic Polish hamlet, the tense relationship between a father and son reaches a boiling point when the men lose their hearts to the same woman and vie for her affections. Based on Wladyslaw Reymont's Nobel Prize-winning book and helmed by Jan Rybkowski, this theatrical release (starring Krzystof Chamiec, Wladyslaw Hancza and Emilia Krakowska) was culled from a 13-episode miniseries that aired on Polish television in 1972.
Border Street
7.2/10
The story of Polish and Jewish families living side by side in one Warsaw street. Everything changes once and for all with the Nazi invasion.
The Barrel Organ
6.2/10
This drama follows a lawyer who, averse to the sound of a barrel organ, changes his outlook upon meeting a blind girl. Based on the short story by Bolesław Prus.
Kamizelka
6/10
Anna tries to prevent her husband suffering from tuberculosis.
The Impossible Goodbye
7.3/10
All the ambiance of an old-fashioned circus comes across with great clarity in this otherwise routine psychological tale about a mean-spirited mime and his effects on his colleagues. The small, traveling circus has been sliding downhill for awhile, and unless some new life is infused into its acts, its future does not look very rosy. Into this precarious situation comes a new mime with the uncanny ability to sap the confidence of his fellow performers. If he continues for long in this vein, no one will be able to believe they have any talent left at all.
Full Moon
6.9/10
A ruminative, understated drama on the nature of overwork versus an "unachieving" life away from the city, Pelnia examines the experience of one man. After leaving his high-pressured existence as a successful architect, the newly resolved dropout goes to live in a small community of cabins and summer homes in a lake-filled region north of Warsaw. His interactions with the villagers, including a drunkard and other eccentrics, provide an informative background for what happens next. The ex-architect's wife is a professional singer who has not abandoned the city or her life -- and she soon arrives to spend some time with her very changed husband.
A Strong Man
7/10
Bielecki (Gregori Chmara) becomes determined to become a famous writer, but the means he employs in achieving his goal are far from ethical. Bielecki discourages his friend Jerzy Gorski (Artur Socha) by telling him his new work is rather poor, driving him into despair. But Bielecki is such a good friend that he even provides Gorski with the morphine so he can overdose too. With Gorski out of the way, Bielecki can now peddle his friend's book as his own. However, it doesn't take long for Bielecki's evil ways to catch up to him.
Legion of the Streets
Jozek unexpectedly is put to a harsh test when his mother, a seamstress by profession, succumbs to an unfortunate accident and is forced to lie in bed for several long months. The boy stays alone, has nothing to live on, and finally lands on the pavement. On the advice of a friend, he enters the "legion of the street", making him one of the many juvenile newspapers. It turns out that the boy's mother is waiting for a hard operation, and its costs can be covered only one way - the boy must be a "master", that is, he has to deliver newspapers. A bicycle is necessary for this. Meanwhile, the opportunity arises to get a bike - a street cycling race is organized, and the main prize is the bike. Józek decides to take off.
Memory
The days of antifascist fight are over. In an orphanage for gifted children lives Milcho. The music helps him to escape from the real world to the world of memories. He remembers the days that the police officer arrested his mother for hiding a fugitive. A bright mark has left people that Milcho met, looking for his mother: the good old musician, the gypsy Shukri - raw natural talent, the beautiful Mila, and the Poet. They help Milcho to live through his pain. A piano concert of Brahms is playing by the young artist.
