The best T. A. Madhuram’s movies

The film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying the village dancer, Chandralekha.

Poori (Daisy Irani) does not know who his parents are, and has been looking high and low to get back to them. Seated in a park bench beside Sundararajan (Gemini Ganesan), Poori asks his name and as soon as he replies, he proclaims that Sundararajan is his father. This creates complications in Sundararajan’s life and ruins his plans of marrying his lover Latha (Savithri). The president of a hospital for the mentally ill with a not-so-mentally-strong daughter creates more problems for the hero. After many interesting twists and turns, the truth emerges — Poori is the illegitimate child of a soldier (Mustafa) and the abandoned mother commits suicide, leaving the child behind. Sundararajan ro and Latha are so attracted to Poori that they decide to adopt him.

Sivakavi was a 1943 Indian Tamil-language film directed, initially, by P. K. Raja Sandow and later, S. M. Sriramulu Naidu. It starred M. K. Thyagaraja Bhagavathar, S. Jayalakshmi, Serukulathur Sama, Thripuramba, T. R. Rajakumari, N. S. Krishnan and T. A. Madhuram. The film's screenplay was written by Thiru Muruga Kirubanandha Variyar. The film was shot at Central Studios and released by Pakshiraja Films in Coimbatore.

Valli, a tribal girl falls in love with Muruga. But Muruga plays mind games with her and troubles her. Will they get united?

Bagavathar's next film was his first own production film under the banner Trichy Thyagaraja Films, "Sathyaseelan" (1936). The film had the novel.

Based on age-old Buddhist folklore connected with Mauryan Emperor Ashoka's son Kunal.

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

Amarakavi (English: Immortal Poet) is a 1952 Indian Tamil language film produced and directed by F. Nagoor. The film featured M. K. Thyagaraja Bhagavathar and T. R. Rajakumari in the lead roles.

Vaikuntam is a lad who lives in a village. He is a good singer and in love with a lass Nagammal. But Nagammal's brother is against their love. One day he ties Vaikundam to a tree. Vaikundam was rescued by a rich woman who was passing that way. She takes Vaikundam to her city. When she came to know that Vaikundam is talented in singing, she promotes him as a singer. She renames him as Geethamani. He becomes famous and also rich. He neglects his parents and ill treats them. His lover Nagammal tries to commit suicide because of his behaviour. How Geethamani realises his delusion and reconciles with his parents and Nagammal forms the rest of the story.

Thiruneelakantar is a 1939 Tamil-language film directed by Raja Sandow and starring M. K. Thyagaraja Bhagavathar. The film was a big hit and was known for M.K. Thyagaraja Bhagavathar's acting apart from his songs. Famous nadaswaram artist T. N. Rajarathinam Pillai makes a guest appearanace in the movie.The film was based on the life history of Thiruneelakanta Nayanar, one of the 63 Nayanmars.

The film is based on a story set in the Chola Empire in year 1083 AD. The titular character in the story is Ambikapathy (M K. Thyagaraja Bhagavathar), the son of the Tamil poet Kambar (Serugulathur Sama) who is in love with the Chola princess and daughter of Kulothunga Chola, Amaravati (played by M. R. Santhanalakshmi). The king objects to their love and insists on testing Ambikapathy's literary mettle before judging his worth. The test given to Ambikapathi is that he should write and sing a hundred poems in the field of Puram (dealing with war and politics). The poems should not have any reference to the field of Aram (dealing of love and romance). Ambikapathi begins the test in the King's court with a Kadavul Vaazhthu (invocation to God). Amaravathi who is keeping the count, mistakes the invocation as a poem and counts it as poem number one.