The best Sylvie Testud’s drama movies
We present our ranking of the best Sylvie Testud’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Sylvie Testud.
La Vie en Rose
7.6/10
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
The Round Up
7/10
A faithful retelling of the 1942 "Vel' d'Hiv Roundup" and the events surrounding it.
Final Portrait
6.2/10
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
Beyond Silence
7.4/10
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
Fear and Trembling
7/10
Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.
Lourdes
6.9/10
Christine is a wheelchair-using woman with severe multiple sclerosis. In order to escape her isolation, she makes a journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains, along with other people with varying disabilities. During her stay she begins to regain the use of her limbs. This is in contrast with others, who appear to have stronger faith than Christine but experience only slight, passing improvement. Her fellow pilgrims are eager to call it a miracle; however, as the pilgrimage draws to a close, exactly how accurate a claim this is becomes uncertain.
Rebellion
6.9/10
April 1988, Ouvéa Island, New Caledonia. 30 gendarmes are taken hostage by a group of Kanak freedom fighters. 300 soldiers are sent from France to re-establish order. 2 men confront each other: Philippe Legorjus, chief of the terrorist squad, and Alphonse Dianou, head of the kidnappers. Through their shared values, they will attempt to make discussion triumph. But, in the middle of a presidential election, when the stakes are political, order isn't always dictated by morality. A violent and troubling epic that marks the return of Mathieu Kassovitz in front and behind the camera.
Simone, The Journey of the Century
6.8/10
Simone Veil's life story through the pivotal events of Twentieth Century. Her childhood, her political battles, her tragedies. An intimate and epic portrait of an extraordinary woman who eminently challenged and transformed her era defending a humanist message still keenly relevant today.
The Captive
6/10
Arian lives in Simon's large parisian appartment. He wants to know everything from her, follows her, has her accompanied for her trips and constantly interrogates her. Knowing her taste for women and her double life only exacerbates his suffering, his helplessness and his desire for her.
24 Days
6.3/10
When Ilan Halimi is kidnapped for ransom because Jewish and supposedly rich, his family and the police start a race against time to save him from the tortures of the "gang of barbarians".
Labyrinth
6.8/10
Psychologist Dr. Brennac is asked by a colleague to help with the case of Claude, a patient on trial for multiple murders. Is Claude really guilty of the crimes, or is he a victim of his own mind?
Karnaval
6.9/10
Karnaval is set against a backdrop of intolerance and hostility in the gloomy Northern French city of Dunkirk. The story is set during carnival time, when the citizens let themselves loose for six weeks of partying, carousing and having a good time. The film centers on Larbi, an Arab youth, and his confrontation with one of the turning points of his life. After a violent argument with his father, Larbi decides to leave the family's business and go to Marseilles for a fresh start. On his last night in the town he grew up in, he sleeps in the hallway of an apartment building, where he is disturbed by Béa and Christian, a couple having fun at the carnival. Larbi is attracted to Béa and decides to stay a few more days to try his luck. In the free atmosphere of the carnival, Larbi discovers a world that he did not know existed, a world which is about to clash with his conservative outlook, and the three lives are changed forever.
Disclaimer
4.4/10
Since his sensational arrival at the head of the 20 Hours, Cédric Saint Guérande, known as "CSG" is THE favorite presenter of the French. His insolent audiences stoke the jealousy even within La Grande Chaîne which he is the undisputed star. His thirst for power is limitless, which displeases the new president of the chain. The war is declared between the two men for the great pleasure of CSG. Power games, networking, manipulations and low shots: the fight will be merciless, and the outcome necessarily spectacular. Welcome to the media circus games.
Papa Was Not a Rolling Stone
5.8/10
The 1980s. Stéphanie grows up in La Courneuve, on the outskirts of Paris, in a home where her mother is rarely there and her step-father is brutal. She quickly decides to escape her morose everyday life. Thanks to her grandmother's love, reading, her passion for dance, and for French pop-star Jean-Jacques Goldman, Stéphanie copes in this colorful neighborhood where friendship is primordial. One day, she knows that she'll leave this place to lead the life she's always dreamed of.
The Night Clerk
6.4/10
Frédéric, a young man with a troubled past, has the good fortune to be given a job in a luxurious mountain hotel. When one of the hotel guests disappears one evening and is later found dead, Frédéric suspects he may have been killed by the family who employ him. But rather than betray his boss, Jacques Couvreur, he makes up his mind to protect him. Unwittingly, Frédéric puts himself in grave danger...
Sagan
6.3/10
A biopic of famous French writer Françoise Sagan, best known for her groundbreaking first book, Bonjour Tristesse.
The Idiot
6.7/10
Léon returns to Dostoevsky to film an episode from The Idiot, starring Jeanne Balibar as the femme fatale Nastassia Philippovna, who finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky (film historian Bernard Eisenschitz). Another is the opportunistic Ganya (Serge Bozon), whom Totsky has promised 75,000 rubles if he will marry Nastassia. Enter Rogozhin, who offers Nastassia 100,000 rubles for her hand. And of course, the “idiot,” Prince Myshkin, who loves Nastassia madly and vows to “save” her. Shot in elegant black-and-white with a peerless cast, The Idiot distills the power of Dostoevsky’s great novel into a singular hour of cinema.
In Heaven
6.6/10
I Heaven's plot revolves around three friends with personal ambitions who must face the less pleasant aspects of reality. The story is told from the point of view of 17-year-old Csiwi, a loner who spends his evenings driving around in his brother's car or simply hanging out. He has no idea about the direction his future should take. He runs into Levi and Valeska and they easily become his bosom friends despite their differences. Levi, whose circumstances have constantly been changing, is looking for something stable in his life. He works very hard so that he can afford his own flat. Valeska is restless and fascinated by distant places and change. For her, postcards symbolize places where happiness is hidden. Valeska and Levi represent two different ways of living and Csiwi must decide for himself which road to take. He feels the first pangs of love towards Valeska, and Levi easily becomes a good friend. Together they set off in a new direction, which could be their heaven on earth.
La France
6.4/10
During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.
A Loving Father
6.2/10
Writer Léo Shepherd lives in rural France together with his daughter Virginia, who manages his affairs. One day Virginia gets a call from the Swedish Academy. Léo has won the Nobel Prize for Literature. His estranged son Paul tries desperately to contact him, but is denied every time by his sister. When Léo starts traveling to the ceremony in Stockholm by motor bike, Paul decides to follow him and try to speak to him. Clearly Léo doesn't want to be followed, starts speeding and gets involved in a accident, but isn't badly hurt. The police confuse another motorist for Shepherd and announce his death. Paul, driven by his childhood experiences, decides to kidnap his father.
