The best Suzette Llewellyn’s movies
If you love cinema, you will share this ranking of the best Suzette Llewellyn’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Suzette Llewellyn.
Manderlay
7.2/10
In 1933, after leaving Dogville, Grace Margaret Mulligan sees a slave being punished at a cotton farm called Manderlay. Officially slavery is illegal and Grace stands up against the owners of the farm. She stays with some gangsters in Manderlay and tries to influence the situation. But when harvest time comes Grace sees the social and economic reality of Manderlay.
Personal Services
6.3/10
The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter (Julie Walters) as the down-at-heel waitress who, with the help of prostitute Shirley (Shirley Stelfox) and cross-dressing Wing Commander Morten (Alec McCowen), seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it's fair to say that the presiding judge isn't unfamiliar with her work.
For Queen & Country
5.6/10
A retired British soldier struggles to adjust to everyday life, with increasing difficulty.
Sammy and Rosie Get Laid
6.6/10
Sammy and Rosie are an unconventional middle-class London married couple. They live in the midst of inner-city chaos, surround themselves with intellectual street people, and sleep with everybody - except each other! Things become interesting when Sammy's father, Rafi, who is a former Indian government minister, comes to London for a visit. Sammy, Rosie, and Rafi try to find meaning through their lives and loves.
Playing Away
5.9/10
To mark the conclusion of their "Third World Week" celebration, a cricket team in a small English village invites a black cricket team from South London to a charity game with comical results.
9/11: The Twin Towers
7.7/10
Discovery Channel documentary
Babymother
5.3/10
A single mother determined to make it as a singer puts together an all girl reggae group named Neeta, Sweeta, & Nastie with her friends. Living in a housing project with little support, the odds are obviously against her. Emotionally she struggles too as she learns at her mother's death that her actual mother is the woman she had thought was her older sister. With the help of a female agent, the group starts to get some exposure and rises above their setting.
Stars of the Roller State Disco
6.3/10
Video-shot on studio sets, Stars of the Roller State Disco borders on science fiction of the dystopian variety. Unemployed youngsters spend their days at the roller disco of the title, circling round and round, before being called to take up low-paid jobs as they become available. They leave the building in a wash of light, though we do not go through that door with them. For others it's a subsistence existence of vending machine food, video games, with sex and drug freely available as distractions. (Television @ The Digital Fix)
West 10 LDN
6.1/10
A collection of tower blocks and concrete expanse, it has its own rules and codes, its own distinctive languages and culture, both old and new. It is a tightly knit community that is on call to protect those within its boundaries. It is an intense, turbulent, passionate world, rarely depicted other than when the antagonisms and struggles of its young lives spill out onto the surrounding streets and into the news. West 10 LDN invites us into this territory, and delves into the big stories of the lives of the young, multi ethnic generation who live there - with a blast of energy and power, with dynamism, wit and blistering vibrancy.
Welcome II the Terrordome
5.9/10
Spike and his sister Anjela live in the Terrordome, a huge ghetto that all the blacks have been forced to live in. Jodie, Spike's pregnant white girlfriend, ran away from an abusive white boyfriend who, after seeing her with Spike, sets up a trap for her. Spike's 11-year old nephew Hector dies as a result of this trap, and Anjela, finding the body of her son, goes on a police-killing rampage. Her apprehension sets off tension between Spike and his brother-in-law, as a race war broods inside the Terrordome.
